Turning the Mirror
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Edited by:
Amrei Buchholz
About this book
This volume investigates the positions of women artists, their institutional frameworks, and the role of other female actors in the art world in Ibero-America and on the Iberian Peninsula from the 19th to the late 20th century, focusing especially on the interweaving of post-/decolonial and feminist approaches. Although women artists could not simply act outside existing power systems, they could mirror them in their works – and thereby challenge them. The overlapping of different regimes of subalternity led to specific strategies of self-empowerment, such as the formation of networks. What role does the fact play that both the Iberian Peninsula and the Ibero-American countries were perceived as a cultural "periphery", although they were simultaneously divided by the colonial wound?
Author / Editor information
Amrei Buchholz, head of the Architectural Archives at the Academy of Arts, Berlin; Alicia Fuentes Vega, assistant professor in art history at Complutense University of Madrid; Julia Kloss-Weber, professor in art history focusing on the early modern period, Paris Lodron University of Salzburg.
Topics
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Gendered Art Histories of Ibero-America and the Iberian Peninsula: An Introduction Amrei Buchholz, Alicia Fuentes Vega and Julia Kloss-Weber Requires Authentication Unlicensed Licensed Download PDF |
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Political and Institutional Contexts
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Arte y feminismos en tiempos de Franco y Salazar Saray Espinosa Requires Authentication Unlicensed Licensed Download PDF |
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Estrategias y negociaciones de las artistas mujeres para ingresar a la Escuela Superior de Bellas Artes “Ernesto de la Cárcova” Lucía Laumann Requires Authentication Unlicensed Licensed Download PDF |
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Representations of the Nude in the Works of Spanish Artists of the 19th and 20th Centuries Esther Romero Sáez Requires Authentication Unlicensed Licensed Download PDF |
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Transnational Networks
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Graciela Gutiérrez Marx’s Mail Art Theory and Practice Henar Rivière Requires Authentication Unlicensed Licensed Download PDF |
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Lene Schneider-Kainer in the Balearic Islands (1931–1937) Sol Izquierdo de la Viña Requires Authentication Unlicensed Licensed Download PDF |
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Gendering the Narratives of Art History
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Una lectura feminista del arte abstracto Maria Lluïsa Faxedas Brujats Requires Authentication Unlicensed Licensed Download PDF |
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Politikerin, Aktivistin und Pionierin der Kunstgeschichte in Spanien und Mexiko Mercedes Valdivieso Requires Authentication Unlicensed Licensed Download PDF |
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Revisiting Female Art Stories
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Eat Me and Objetos de Sedução in Comparison with the Research Project A Mulher na Iconografia de Massa Fernanda Pequeno Requires Authentication Unlicensed Licensed Download PDF |
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Frida Kahlo’s Plaster Corset with Hammer, Sickle, and Embryo (1950) Julia Kloss-Weber Requires Authentication Unlicensed Licensed Download PDF |
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