Das französische Thesenblatt im 17. Jahrhundert
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Konrad Krčal
About this book
This publication is dedicated to 17th-century illustrated French thesis prints from a historical and theoretical perspective. Important artists such as Charles LeBrun, Claude Vignon, and Claude Mellan are among the designers of the elaborate copperplate engravings commissioned for public defense ceremonies. Artistic practices of copying, variation, and reuse of prints and representation through art are brought into focus in three object studies. These offer comprehensive interpretations of often complex allegories, considering Baroque rhetorics, emblematics, political iconography, intertextuality, and ephemeral practices. The significance of quotation and allegorical polyvalence, as first theorized by Walter Benjamin, in Early Modern printmaking and other visual arts are discussed in a theoretical reflection on artistic genres.
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Topics
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Frontmatter
1 -
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Inhalt
5 -
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Vorwort
9 -
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Einleitung
11 -
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Gattungstheorie
29 -
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Ein Thesenblatt zwischen Gattungen
61 -
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Das Thesenblatt Nicolas François Brûlarts
131 -
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Druckgrafik, Trompe-l’oeil und Allegorie
197 -
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Konklusion
261 -
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Anhang A
265 -
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Anhang B
267 -
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Literatur
273 -
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Abbildungsnachweise
287
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Manufacturer information:
Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin
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