Chapter
Open Access
Ovid’s Stylistic Program in the Tristia and Epistulae ex Ponto
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Eleonora Tola
Chapters in this book
- Frontmatter I
- Preface V
- Contents VII
- The Style of Latin Poetry 1
- Stylistic Features of Roman Republican Tragedy 19
- The Classical Style of Terence 37
- Lucretian Idiosyncrasy: Where to Draw the Line? 55
- Catullus 64 and the Temptation to Expressionism in Latin Epic 73
- Virgil’s Pathetic Technique 107
- Names and Places in Vergil’s Georgics 131
- Iconic Word Order in Horace’s Odes 149
- Vertical Juxtaposition in Horace Odes 1 169
- Ovid’s Stylistic Program in the Tristia and Epistulae ex Ponto 199
- The Style of Evil in Seneca’s Medea 221
- Statius’ Paradoxical Style 241
- ‘Conscious’ and ‘Unconscious’ Repetitions in Latin Hexameter Poetry from Ennius to Lucan 263
- Reconsidering Virgil’s hysteron proteron 283
- Notes on Contributors 307
- Index Locorum 309
- Index Rerum 335
Chapters in this book
- Frontmatter I
- Preface V
- Contents VII
- The Style of Latin Poetry 1
- Stylistic Features of Roman Republican Tragedy 19
- The Classical Style of Terence 37
- Lucretian Idiosyncrasy: Where to Draw the Line? 55
- Catullus 64 and the Temptation to Expressionism in Latin Epic 73
- Virgil’s Pathetic Technique 107
- Names and Places in Vergil’s Georgics 131
- Iconic Word Order in Horace’s Odes 149
- Vertical Juxtaposition in Horace Odes 1 169
- Ovid’s Stylistic Program in the Tristia and Epistulae ex Ponto 199
- The Style of Evil in Seneca’s Medea 221
- Statius’ Paradoxical Style 241
- ‘Conscious’ and ‘Unconscious’ Repetitions in Latin Hexameter Poetry from Ennius to Lucan 263
- Reconsidering Virgil’s hysteron proteron 283
- Notes on Contributors 307
- Index Locorum 309
- Index Rerum 335