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Appendix 1: An Incomplete List of Authorship Narratives, 1800 –2022
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Ingo Berensmeyer
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Chapters in this book
- Frontmatter I
- Contents VII
- Introduction: How Literature Makes Authors 1
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Part I Literary Authorship in History and Theory
- 1 Towards a Literary History of Literary Authorship 19
- 2 Authors, Works, Audiences: Conceptual Foundations 53
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Part II Author-Making and Social Form in the Nineteenth Century
- 3 Lost Illusions: Balzac’s Brutal Materialism 85
- 4 Compromise Formation in the English Literary Bildungsroman 99
- 5 The Novel of Allopoetic Deformation: Herman Melville’s Pierre (1852) 115
- 6 “Sign it like a queen”: Writing Female Authors in the Victorian Novel 127
- 7 Starving in the Reading Room: Precarious Economies of Authorship in Late Victorian Fiction 153
- 8 Curious Double Lives: Puzzles of Authorship in James, Kipling, and Beerbohm 173
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Part III Modernist Author Fictions
- 9 The Ambivalence of Promise in Arthur Machen, E. M. Forster, and Henry Green 195
- 10 “Do you seriously believe in literature?” Comic Turns from Aldous Huxley to Kingsley Amis 213
- 11 “Writing’s a mug’s game”: Novels of Resentment and Regeneration in the 1930s and 1940s 233
- 12 Working Women: Figurations of Female Authorship in Postwar Britain 255
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Part IV From Postmodernist Metafiction to Contemporary Autofiction
- 13 The Validity of Authorship: Postwar British Metafiction from Muriel Spark to William Golding 279
- 14 “The unreckoned consequences of art”: Authorial Realism in Munro, Carver, Roth, and Moore 301
- 15 Authorship Horror: Stephen King’s Misery (1987) 319
- 16 The Tremor of Genre: Making and Unmaking Writers in Suspense Fiction 331
- 17 Economies of Authorship in Contemporary (Auto‐)Fiction: Between Expressivism and Institutionalism 347
- Conclusion 377
- Appendix 1: An Incomplete List of Authorship Narratives, 1800 –2022 385
- Appendix 2: Quantitative Survey, 1800– 2022 403
- List of Illustrations and Tables 405
- Glossary 407
- Acknowledgements 409
- References 411
- Index 447
Chapters in this book
- Frontmatter I
- Contents VII
- Introduction: How Literature Makes Authors 1
-
Part I Literary Authorship in History and Theory
- 1 Towards a Literary History of Literary Authorship 19
- 2 Authors, Works, Audiences: Conceptual Foundations 53
-
Part II Author-Making and Social Form in the Nineteenth Century
- 3 Lost Illusions: Balzac’s Brutal Materialism 85
- 4 Compromise Formation in the English Literary Bildungsroman 99
- 5 The Novel of Allopoetic Deformation: Herman Melville’s Pierre (1852) 115
- 6 “Sign it like a queen”: Writing Female Authors in the Victorian Novel 127
- 7 Starving in the Reading Room: Precarious Economies of Authorship in Late Victorian Fiction 153
- 8 Curious Double Lives: Puzzles of Authorship in James, Kipling, and Beerbohm 173
-
Part III Modernist Author Fictions
- 9 The Ambivalence of Promise in Arthur Machen, E. M. Forster, and Henry Green 195
- 10 “Do you seriously believe in literature?” Comic Turns from Aldous Huxley to Kingsley Amis 213
- 11 “Writing’s a mug’s game”: Novels of Resentment and Regeneration in the 1930s and 1940s 233
- 12 Working Women: Figurations of Female Authorship in Postwar Britain 255
-
Part IV From Postmodernist Metafiction to Contemporary Autofiction
- 13 The Validity of Authorship: Postwar British Metafiction from Muriel Spark to William Golding 279
- 14 “The unreckoned consequences of art”: Authorial Realism in Munro, Carver, Roth, and Moore 301
- 15 Authorship Horror: Stephen King’s Misery (1987) 319
- 16 The Tremor of Genre: Making and Unmaking Writers in Suspense Fiction 331
- 17 Economies of Authorship in Contemporary (Auto‐)Fiction: Between Expressivism and Institutionalism 347
- Conclusion 377
- Appendix 1: An Incomplete List of Authorship Narratives, 1800 –2022 385
- Appendix 2: Quantitative Survey, 1800– 2022 403
- List of Illustrations and Tables 405
- Glossary 407
- Acknowledgements 409
- References 411
- Index 447