Home Literary Studies 10 “Do you seriously believe in literature?” Comic Turns from Aldous Huxley to Kingsley Amis
Chapter
Licensed
Unlicensed Requires Authentication

10 “Do you seriously believe in literature?” Comic Turns from Aldous Huxley to Kingsley Amis

  • Ingo Berensmeyer
Become an author with De Gruyter Brill
Author Fictions
This chapter is in the book Author Fictions
© 2023 Walter de Gruyter GmbH, Berlin/Boston

© 2023 Walter de Gruyter GmbH, Berlin/Boston

Chapters in this book

  1. Frontmatter I
  2. Contents VII
  3. Introduction: How Literature Makes Authors 1
  4. Part I Literary Authorship in History and Theory
  5. 1 Towards a Literary History of Literary Authorship 19
  6. 2 Authors, Works, Audiences: Conceptual Foundations 53
  7. Part II Author-Making and Social Form in the Nineteenth Century
  8. 3 Lost Illusions: Balzac’s Brutal Materialism 85
  9. 4 Compromise Formation in the English Literary Bildungsroman 99
  10. 5 The Novel of Allopoetic Deformation: Herman Melville’s Pierre (1852) 115
  11. 6 “Sign it like a queen”: Writing Female Authors in the Victorian Novel 127
  12. 7 Starving in the Reading Room: Precarious Economies of Authorship in Late Victorian Fiction 153
  13. 8 Curious Double Lives: Puzzles of Authorship in James, Kipling, and Beerbohm 173
  14. Part III Modernist Author Fictions
  15. 9 The Ambivalence of Promise in Arthur Machen, E. M. Forster, and Henry Green 195
  16. 10 “Do you seriously believe in literature?” Comic Turns from Aldous Huxley to Kingsley Amis 213
  17. 11 “Writing’s a mug’s game”: Novels of Resentment and Regeneration in the 1930s and 1940s 233
  18. 12 Working Women: Figurations of Female Authorship in Postwar Britain 255
  19. Part IV From Postmodernist Metafiction to Contemporary Autofiction
  20. 13 The Validity of Authorship: Postwar British Metafiction from Muriel Spark to William Golding 279
  21. 14 “The unreckoned consequences of art”: Authorial Realism in Munro, Carver, Roth, and Moore 301
  22. 15 Authorship Horror: Stephen King’s Misery (1987) 319
  23. 16 The Tremor of Genre: Making and Unmaking Writers in Suspense Fiction 331
  24. 17 Economies of Authorship in Contemporary (Auto‐)Fiction: Between Expressivism and Institutionalism 347
  25. Conclusion 377
  26. Appendix 1: An Incomplete List of Authorship Narratives, 1800 –2022 385
  27. Appendix 2: Quantitative Survey, 1800– 2022 403
  28. List of Illustrations and Tables 405
  29. Glossary 407
  30. Acknowledgements 409
  31. References 411
  32. Index 447
Downloaded on 7.9.2025 from https://www.degruyterbrill.com/document/doi/10.1515/9783111056166-011/html
Scroll to top button