Poesia cantata 2
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Edited by:
Frank Baasner
About this book
Hardly any other European country has such a continuous, lively, and multi-faceted tradition of politically and socially committed popular song as Italy. From the 1970s to the present day, Italy's singers and song-writers have been a social barometer, reflecting new tendencies and acting as a mouthpiece for old and renewed concerns and protests. The volume seeks to provide a panorama of the last 30 years in this respect, with special reference to rock and rap. One striking feature is the return in the 1990s to central themes from the politically much more obviously 'stormy' 1970s: social justice, humanity versus materialism, etc. At the same time, a central contradiction inherent in the position of the singers themselves appears to defy resolution. Successful singers with a committed 'message' have no choice but to operate within an economic market for their songs. Once they do so, the contradiction between their social/political message and their own economic success becomes evident.
Topics
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I-IV
I -
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Inhalt
V -
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Einleitung
1 -
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Das Autorenlied 1985-2000. Von „Washington" zu „Ciao" und „Addio"
11 -
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La metamorfosi del cantautore: I segni di una crisi?
50 -
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Giorgio Gaber, e Sandro Luporini: II Teatro-Canzone
59 -
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„Parole (non) son parole“ - La poetica di Francesco Guccini
84 -
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„Ritornerò sui miei passi di ieri": Pippo Pollina - un siciliano di cuore ritorna a casa
97 -
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Tra meravigliosa creatura e malafemmina - Der Feminismus in den Liedern Gianna Nanninis
116 -
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Luciano Ligabue - un cantante „tra palco e realtà"
133 -
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,Qui fra non molto poc'anzi moriremo": le storie tese di Elio
154 -
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La nuova canzone d'autore: Konventionelles und Unkonventionelles im italienischen Rock der 90er Jahre
175 -
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„Potere alla parola“ - Eine textorientierte Betrachtung des rap italiano
194 -
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Un caso di prestito a livello di genere testuale: il rap in Italia
220 -
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Anhang. Liedtexte
253
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Manufacturer information:
Walter de Gruyter GmbH
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10785 Berlin
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