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book: Musical Signification
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Musical Signification

Essays in the Semiotic Theory and Analysis of Music
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Language: English
Published/Copyright: 1995
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Approaches to Semiotics [AS]

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    Frontmatter

    I
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    Preface

    V
    Eero Tarasti
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    Contents

    XI
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  • Theoretical approaches
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    Method and system

    3
    François-Bernard Mâche
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    Toward a reinterpretation of compositional theory

    11
    David Lidov
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    Music and antimetaphor

    27
    Daniel Charles
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    The sign and music: A reflection on the theoretical bases of musical semiotics

    43
    Rosario Mirigliano
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    How philosophical characterizations of a musical work lose sight of the “music” and how it might be put back

    63
    Cynthia M. Grund
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    Interpretation and meaning in music

    81
    Otto M. Christensen
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    Music and semantics

    91
    Raymond Monelle
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    The application of Hjelmslev’s glossematics to music

    109
    Gayle A. Henrotte
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    The musical work as sign: Significative constituents, layers, structure

    123
    Krystyna Tarnawska-Kaczorowska
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    Asaf’ev and Tynianov: On some analogies between musicology and the study of literature

    141
    Joseph Kon
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    Intonation as a specific form of musical semiosis

    155
    Jaroslav Jiránek
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    Musical intonation – language of intuition and logic: A contribution to the system of the semiotics of intonation in music

    189
    Viatscheslav Medushevsky
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  • Empirical studies
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    “The voice of the heart”: A progressive semiosis on the interval of the sixth

    199
    Gino Stefani
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    Pertinence in music

    209
    Luca Marconi
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    Meaning and behavior patterns: The creation of meaning in interpreting and listening to music

    219
    François Delalande
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    On the genesis of the musical sign

    229
    Vladimir Karbusicky
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    Art evolution in the light of brain asymmetry: A trial of empirical investigation

    267
    Vladimir M. Petrov
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    A semio-psychological theory of communication in music

    279
    Jiří Kulka
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    Character and characterization in musical performance: Effects of sensory experience upon meaning

    285
    Alexandra Pierce
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    Tempo deviations and musical signification: A case study

    301
    Kari Kurkela
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    The pitch of glide-like F0 curves in Votic folksongs

    319
    Jaan Ross
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    The concept of hierarchy: A theoretical approach

    325
    Mario Baroni, Rossana Dalmonte and Carlo Jacoboni
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    Musical pragmatics and computer modelling

    335
    Alan A. Marsden
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    Some relationships between terminology, analytic strategies, and computational methodologies

    349
    Marco Ligabue
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    Semiotic bases and computer assisted composition: Towards a cognitive model

    355
    Francesco Giomi and Marco Ligabue
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    Experiments on grammar-based analysis of music

    361
    Kalev Tiits
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  • Analyses of musical styles and texts
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    Metaphor in music

    373
    Robert S. Hatten
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    Performative musical acts: The Verdian achievement

    393
    Marco Beghelli
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    Peirce’s “ground” and 19th-century Lieder

    413
    David L. Mosley
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    The couples who remain: With reference to “Ici-bas” by Sully Prudhomme and Fauré

    423
    Vera Vouga
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    “Apres un rêve”: A semiotic analysis of the song by Gabriel Fauré

    435
    Eero Tarasti
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    The problem of narrativity in the symphonic poem En saga by Jean Sibelius

    471
    Veijo Murtomäki
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    Orchestration and form in Leos Janáček’s Concertino: An analysis of intratextural interaction

    495
    Tomi Mäkelä
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    “Music becomes language”: Narrative strategies in El cimarrón by Hans-Werner Henze

    511
    Ivanka Stoianova
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    Narrativity and electroacoustic music

    535
    Márta Grabócz
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    On the sound dimension of prehistoric painted caves and rocks

    541
    Iégor Reznikoff
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    The mythical in non-programmatic music

    559
    Leo Normet
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    The symbol of the tree in musical Jugendstil

    565
    Jarmila Doubravová
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    Aspects of the “Dance of Death” as a semiotic system

    575
    Gaby Sikora
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    Authors

    585
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    Index

    593
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
September 6, 2011
eBook ISBN:
9783110885187
Hardcover published on:
April 26, 1995
Hardcover ISBN:
9783110140408
Edition:
Reprint 2011
Pages and Images/Illustrations in book
Front matter:
14
Main content:
598
Illustrations:
160
https://doi.org/10.1515/9783110885187
eBook ISBN: 9783110885187
Hardcover ISBN: 9783110140408
Keywords for this book
Musikalische Analyse; Semiotik; Aufsatzsammlung
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