Chapter
Publicly Available
Table of contents / Table des matières
Chapters in this book
- Frontmatter I
- Acknowledgements to/ Remerciements à. Illustrations. We acknowledge / nous remercions: V
- Preface / Préface VII
- Table of contents / Table des matières XIII
-
I. Charles Chaplin: The man, his work and his time / L’homme, l’œuvre et son temps
- Chaplin and the resistance to “talkies” 3
- Pretending the world is funny: Charlie Chaplin's job as the prototype comic personality 11
- Charles Chaplin and the Jewish world 17
- The Chaplin reception in Germany (Brilliant comedian and “Jewish film clown”) 25
- Charles Chaplin en compagnie de Schopenhauer 35
- Les implications de la technique chaplinesque du gag 41
- Molière, Chaplin: structures comiques 49
- Chaplin, la matière et l’allégement 57
- Charles Chaplin: an embodiment of paradox (le comique et la terreur) 61
-
II. Charles Chaplin: His films / Etude de ses films
- Charlie Chaplin or the “vaudeville dispossessed” 69
- Chaplin’s short films: between narration and monstration 77
- Gag and narration in Chaplin's cinema at the transition from short to full-length movies (1918–1923) 83
- Charlie in the Far North: the tall tale element in The Gold Rush 89
- Comedy and Pathos in City Lights 97
- Modem Times and the American culture of the 1930's 103
- Modem Times in the light of Adorno and Beckett 119
- The social function of humor in Charles Chaplin’s movies 125
- Chaplin’s film pioneer status in black or macabre humor 139
- Les films “mineurs” de Chaplin 151
-
III. Charles Chaplin: The myth / Le mythe
- Charlie Chaplin and the comic strips 161
- La représentation de Chariot dans deux magazines pour enfant: Mon Journal (1881–1925) et le Cri-Cri (1911–1937) 171
- Le dernier gag de Charles Chaplin 181
- Chaplin et Chariot 187
- Chariot et son double 195
- Chariot syllepse: éléments pour une théorie du gag 201
- Le point de vue de Gulliver 209
- La Ruée vers l’or 211
- Charles Chaplin, poète comique 215
- Postscript 219
- Postface 221
-
IV. Bibliography/Bibliographie
- Books on and by Chaplin An international bibliography 227
-
V. Appendices / Annexes
- Abstracts / Résumés 341
- Contributors / Signatures 353
- VI. Charles Chaplin: Filmography/Filmographie 361
- VII. Index 369
- VIII. Illustrations 387
Chapters in this book
- Frontmatter I
- Acknowledgements to/ Remerciements à. Illustrations. We acknowledge / nous remercions: V
- Preface / Préface VII
- Table of contents / Table des matières XIII
-
I. Charles Chaplin: The man, his work and his time / L’homme, l’œuvre et son temps
- Chaplin and the resistance to “talkies” 3
- Pretending the world is funny: Charlie Chaplin's job as the prototype comic personality 11
- Charles Chaplin and the Jewish world 17
- The Chaplin reception in Germany (Brilliant comedian and “Jewish film clown”) 25
- Charles Chaplin en compagnie de Schopenhauer 35
- Les implications de la technique chaplinesque du gag 41
- Molière, Chaplin: structures comiques 49
- Chaplin, la matière et l’allégement 57
- Charles Chaplin: an embodiment of paradox (le comique et la terreur) 61
-
II. Charles Chaplin: His films / Etude de ses films
- Charlie Chaplin or the “vaudeville dispossessed” 69
- Chaplin’s short films: between narration and monstration 77
- Gag and narration in Chaplin's cinema at the transition from short to full-length movies (1918–1923) 83
- Charlie in the Far North: the tall tale element in The Gold Rush 89
- Comedy and Pathos in City Lights 97
- Modem Times and the American culture of the 1930's 103
- Modem Times in the light of Adorno and Beckett 119
- The social function of humor in Charles Chaplin’s movies 125
- Chaplin’s film pioneer status in black or macabre humor 139
- Les films “mineurs” de Chaplin 151
-
III. Charles Chaplin: The myth / Le mythe
- Charlie Chaplin and the comic strips 161
- La représentation de Chariot dans deux magazines pour enfant: Mon Journal (1881–1925) et le Cri-Cri (1911–1937) 171
- Le dernier gag de Charles Chaplin 181
- Chaplin et Chariot 187
- Chariot et son double 195
- Chariot syllepse: éléments pour une théorie du gag 201
- Le point de vue de Gulliver 209
- La Ruée vers l’or 211
- Charles Chaplin, poète comique 215
- Postscript 219
- Postface 221
-
IV. Bibliography/Bibliographie
- Books on and by Chaplin An international bibliography 227
-
V. Appendices / Annexes
- Abstracts / Résumés 341
- Contributors / Signatures 353
- VI. Charles Chaplin: Filmography/Filmographie 361
- VII. Index 369
- VIII. Illustrations 387