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Point of View in the Cinema
A Theory of Narration and Subjectivity in Classical Film
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Edward Branigan
Language:
English
Published/Copyright:
1984
About this book
Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
January 2, 2012
eBook ISBN:
9783110817591
Hardcover published on:
December 1, 1984
Hardcover ISBN:
9789027930798
Edition:
Reprint 2010
Pages and Images/Illustrations in book
Front matter:
16
Main content:
246
Illustrations:
40
Safety & product resources
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Manufacturer information:
Walter de Gruyter GmbH
Genthiner Straße 13
10785 Berlin
productsafety@degruyterbrill.com
