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SELECT BIBLIOGRAPHY
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Chapters in this book
- i-iv i
- CONTENTS v
- IN PLACE OF AN INTRODUCTION vii
- I. Truth and Fiction in Literary Biography: The Real Life of Sebastian Knight 1
- II. FICTITIOUS BIOGRAPHY AS PARADIGM FOR THE BETTER WORLD OF ART: BEND SINISTER 18
- III. AUTOBIOGRAPHY AS DEMONSTRATION OF “PRECISE FATE”: LOLITA 31
- IV. BIOGRAPHY AS A BALANCE BETWEEN TRAGEDY AND COMEDY: PNIN 46
- V. THE COMBINATION OF AUTOBIOGRAPHIES AS “CORRELATED PATTERN IN THE GAME”: PALE FIRE 54
- VI. AUTOBIOGRAPHY AS THE TRIUMPH OF SUBJECTIVITY: ADA OR ARDOR: A FAMILY CHRONICLE 70
- VII. BIOGRAPHY AS SINKING BACK INTO THE PAST: TRANSPARENT THINGS 96
- VIII. PARODIED AUTOBIOGRAPHY AS SATIRE ON THE UNITY OF LIFE AND WORK: LOOK AT THE HARLEQUINS 106
- SELECT BIBLIOGRAPHY 132
Chapters in this book
- i-iv i
- CONTENTS v
- IN PLACE OF AN INTRODUCTION vii
- I. Truth and Fiction in Literary Biography: The Real Life of Sebastian Knight 1
- II. FICTITIOUS BIOGRAPHY AS PARADIGM FOR THE BETTER WORLD OF ART: BEND SINISTER 18
- III. AUTOBIOGRAPHY AS DEMONSTRATION OF “PRECISE FATE”: LOLITA 31
- IV. BIOGRAPHY AS A BALANCE BETWEEN TRAGEDY AND COMEDY: PNIN 46
- V. THE COMBINATION OF AUTOBIOGRAPHIES AS “CORRELATED PATTERN IN THE GAME”: PALE FIRE 54
- VI. AUTOBIOGRAPHY AS THE TRIUMPH OF SUBJECTIVITY: ADA OR ARDOR: A FAMILY CHRONICLE 70
- VII. BIOGRAPHY AS SINKING BACK INTO THE PAST: TRANSPARENT THINGS 96
- VIII. PARODIED AUTOBIOGRAPHY AS SATIRE ON THE UNITY OF LIFE AND WORK: LOOK AT THE HARLEQUINS 106
- SELECT BIBLIOGRAPHY 132
