Home Classical, Ancient Near Eastern & Egyptian Studies 74 Generic Dialogue and the Sublime in Cowley: Epic, Didactic, Pindaric
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74 Generic Dialogue and the Sublime in Cowley: Epic, Didactic, Pindaric

  • Philip Hardie
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© 2023 Walter de Gruyter GmbH, Berlin/Boston

© 2023 Walter de Gruyter GmbH, Berlin/Boston

Chapters in this book

  1. Frontmatter I
  2. Preface V
  3. Contents IX
  4. List of the Original Places of Publication XIII
  5. List of Figures XIX
  6. Part I: Virgil
  7. 1 Atlas and Axis 1
  8. 2 The Sacrifice of Iphigeneia: An Example of ‘Distribution’ of a Lucretian Theme in Virgil 16
  9. 3 Cosmological Patterns in the Aeneid 26
  10. 4 Aeneas and the Omen of the Swans (Verg. Aen. 1.393–400) 38
  11. 5 Ships and Ship-names in the Aeneid 45
  12. 6 The Aeneid and the Oresteia 56
  13. 7 Virgil: A Paradoxical Poet? 71
  14. 8 Another Look at Virgil’s Ganymede 87
  15. 9 Political Education in Virgil’s Georgics 117
  16. 10 Virgil’s Ptolemaic Relations 142
  17. 11 Virgil’s Catullan Plots 166
  18. 12 Trojan Palimpsests: The Archaeology of Roman History in Aeneid 2 194
  19. 13 Dido and Lucretia 211
  20. 14 Virgil and Tragedy 235
  21. Part II: Reception and Translation of the Aeneid
  22. 15 In the Steps of the Sibyl: Tradition and Desire in the Epic Underworld 253
  23. 16 How Prudentian is the Aeneid? 265
  24. 17 Strategies of Praise: The Aeneid and Renaissance Epic 278
  25. 18 Virgil’s Fama in Leon Battista Alberti’s Momus 294
  26. 19 Wordsworth’s Translation of Aeneid 1–3 and the Earlier Tradition of English Translations of Virgil 307
  27. Part III: Ovid
  28. 20 Ovid’s Theban History: The First ‘Anti-Aeneid’? 325
  29. 21 The Janus Episode in Ovid’s Fasti 341
  30. 22 Questions of Authority: The Invention of Tradition in Ovid Metamorphoses 15 356
  31. 23 Ovid: A Poet of Transition? 374
  32. 24 The Historian in Ovid: The Roman History of Metamorphoses 14–15 393
  33. 25 Approximative Similes in Ovid: Incest and Doubling 411
  34. 26 Ovidian Middles 433
  35. 27 Lethaeus Amor: The Art of Forgetting 460
  36. 28 The Self-Divisions of Scylla 482
  37. Part IV: Reception of Ovid
  38. 29 Statius’ Ovidian Poetics and the Tree of Atedius Melior (Silvae 2.3) 511
  39. 30 Milton as Reader of Ovid’s Metamorphoses 524
  40. 31 Ovidian Incarnations 544
  41. 32 The Metamorphoses of Sin: Prudentius, Dante, Milton 571
  42. 33 Ovidian Exile, Presence, and Metamorphosis in Late Antique Latin Poetry 588
  43. Part V: Horace
  44. 34 Vt pictura poesis? Horace and the Visual Arts 605
  45. 35 The Ars Poetica and the Poetics of Didactic 634
  46. 36 Horace and the Empedoclean Sublime 645
  47. Part VI: Augustan Poetry and Culture
  48. 37 Augustan Poets and the Mutability of Rome 663
  49. 38 Paradox and the Marvellous in Augustan Literature and Culture 685
  50. 39 Augustan Poetry and the Irrational 700
  51. 40 Images of the Persian Wars in Rome 729
  52. 41 Contrasts 746
  53. 42 Phrygians in Rome/Romans in Phrygia 774
  54. 43 Fame – The Last Word? 784
  55. Index Locorum 801
  56. General Index 805
  57. Front Matter 2 813
  58. Contents Volume II 817
  59. List of Figures and Plates 821
  60. Part VII: Roman Epic
  61. 44 Poet, Patrons, Rulers: The Ennian Traditions 825
  62. 45 Metamorphosis, Metaphor, and Allegory in Latin Epic 842
  63. 46 The Word Personified: Fame and Envy in Virgil, Ovid, Spenser 860
  64. 47 Allegorical Absences: Virgil, Ovid, Prudentius and Claudian 873
  65. 48 Closure in Latin Εpic 893
  66. 49 The Vertical Axis in Classical and Post-classical Epic 919
  67. 50 The Hesiodic Catalogue of Women and Latin Poetry 936
  68. 51 Crowds and Leaders in Imperial Historiography and in Epic 949
  69. Part VIII: Neronian and Flavian Epic
  70. 52 Lucan’s Song of the Earth 969
  71. 53 Flavian Epicists on Virgil’s Epic Technique 993
  72. 54 Flavian Epic and the Sublime 1014
  73. 55 Tales of Unity and Division in Imperial Latin Epic 1029
  74. Part IX: Lucretius and the Reception of Lucretius
  75. 56 Reflections of Lucretius in Late Antique and Early Modern Biblical and Scientific Poetry: Providence and the Sublime 1053
  76. 57 Lucretius in Late Antique Poetry: Paulinus of Nola, Claudian, Prudentius 1071
  77. Part X: Later Latin Poetry
  78. 58 Polyphony or Babel? Hosidius Geta’s Medea and the Poetics of the Cento 1087
  79. 59 Martyrs’ Memorials: Glory, Memory, and Envy in Prudentius Peristephanon 1096
  80. 60 Augustan and Late Antique Intratextuality: Virgil’s Aeneid and Prudentius’ Psychomachia 1121
  81. 61 Cowherds and Saints: Paulinus of Nola Carmen 18 1132
  82. 62 Unity and Disunity in Paulinus of Nola Poem 24 1149
  83. Part XI: Post-classical
  84. 63 Renaissance Latin Epic 1163
  85. 64 Shepherds’ Songs: Generic Variation in Renaissance Latin Epic 1183
  86. 65 Vida’s De Arte Poetica and the Transformation of Models 1192
  87. 66 Multiple Allusivity in Girolamo Vida De Arte Poetica 1202
  88. 67 Virgilian Imperialism, Original Sin, and Fracastoro’s Syphilis 1220
  89. 68 Adamastor and the Epic Poet’s Dark Continent 1231
  90. 69 The Augustanism of Ben Jonson’s Poetaster 1241
  91. 70 Milton’s Epitaphium Damonis and the Virgilian Career 1251
  92. 71 Miltonic Echoes: Fallen and Unfallen Resonances in Paradise Lost 1268
  93. 72 Lucan in the English Renaissance 1289
  94. 73 Abraham Cowley Davideis, Sacri Poematis Operis Imperfecti Liber Unus 1304
  95. 74 Generic Dialogue and the Sublime in Cowley: Epic, Didactic, Pindaric 1321
  96. 75 Ovid and Virgil at the North Pole: Marvell’s ‘A Letter to Dr Ingelo’ 1341
  97. Part XII: Greek
  98. 76 Imago Mundi: Cosmological and Ideological Aspects of the Shield of Achilles 1359
  99. 77 Sign Language in On the Sign of Socrates 1394
  100. 78 A Reading of Heliodorus, Aithiopika 3.4.1–5.2 1407
  101. 79 Nonnus’ Typhon: The Musical Giant 1431
  102. Bibliography 1443
  103. Index Locorvm 1513
  104. General Index 1517
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