Chapter
Open Access
1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period?
-
Svetlana Gorshenina
Chapters in this book
- Frontmatter I
- Acknowledgements V
- Contents VII
- Note on transliteration IX
- 1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? 1
-
Part I: Photography and orientalisms
- 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy’s anthropological and ethnographic photography in Russian Turkestan (1876–1881) 39
- 3 Picturing “Russia’s Orient”: The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900–1902) 63
- 4 The photographic legacy of Alexander N. Samoilovich (1880–1938) 91
- 5 Hungarian orientalism as seen through the photographs of György Almásy’s second expedition to the Kazakh and Kyrgyz territories in 1906 129
- 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov 165
- 7 “Another Turkestan” of senator Konstantin von der Pahlen (1908–1909) and engineer Nikolai M. Shchapov (1911–1913) 189
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Part II: Using and reusing photographs
- 8 Pre-revolutionary postcards with views of Turkestan 217
- 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? 249
- 10 Max Penson: The rise of a Soviet photographer from the margins 267
- 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections 299
- 12 “Ethnographic types” in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017–2019) 329
- 13 Afterword: Unmarginalising Central Asian Photography 399
- List of figures and tables 401
- Geographic index 413
- Index nominum 417
- Index rerum 423
Chapters in this book
- Frontmatter I
- Acknowledgements V
- Contents VII
- Note on transliteration IX
- 1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? 1
-
Part I: Photography and orientalisms
- 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy’s anthropological and ethnographic photography in Russian Turkestan (1876–1881) 39
- 3 Picturing “Russia’s Orient”: The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900–1902) 63
- 4 The photographic legacy of Alexander N. Samoilovich (1880–1938) 91
- 5 Hungarian orientalism as seen through the photographs of György Almásy’s second expedition to the Kazakh and Kyrgyz territories in 1906 129
- 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov 165
- 7 “Another Turkestan” of senator Konstantin von der Pahlen (1908–1909) and engineer Nikolai M. Shchapov (1911–1913) 189
-
Part II: Using and reusing photographs
- 8 Pre-revolutionary postcards with views of Turkestan 217
- 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? 249
- 10 Max Penson: The rise of a Soviet photographer from the margins 267
- 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections 299
- 12 “Ethnographic types” in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017–2019) 329
- 13 Afterword: Unmarginalising Central Asian Photography 399
- List of figures and tables 401
- Geographic index 413
- Index nominum 417
- Index rerum 423