Dance Spreads Its Wings
About this book
Why did dance and dancing became important to the construction of a new, modern, Jewish/Israeli cultural identity in the newly formed nation of Israel? There were questions that covered almost all spheres of daily life, including “What do we dance?” because Hebrew or Eretz-Israeli dance had to be created out of none. How and why did dance develop in such a way? Dance Spreads Its Wings is the first and only book that looks at the whole picture of concert dance in Israel studying the growth of Israeli concert dance for 90 years—starting from 1920, when there was no concert dance to speak of during the Yishuv (pre-Israel Jewish settlements) period, until 2010, when concert dance in Israel had grown to become one of the country’s most prominent, original, artistic fields and globally recognized. What drives the book is the impulse to create and the need to dance in the midst of constant political change. It is the story of artists trying to be true to their art while also responding to the political, social, religious, and ethnic complexities of a Jewish state in the Middle East.
Author / Editor information
Ruth Eshel has a rich background in dance performance and research. Having danced and choreographed many multidisciplinary solo recitals, she went on to establish the contemporary Ethiopian dance troupes Eskesta and Beta. She is also the editor of the periodical Mahol Akhshav (Dance Today)—The Dance Magazine of Israel. In 2021 she was named Honorary Fellow of the Jerusalem Academy of Music and Dance.
Reviews
"This book fills a critical gap both because no such comprehensive book on the topic has yet appeared and because Eshel’s work reveals the fascinations of an Israeli art genre, born only at the beginning of the twentieth century, that today has become a leading force in the dance worldwide. . . . As in her critical writing, Eshel’s writing in Dance Spreads Its Wings is marked by a rigorous search for words to express the movement language she is discussing in as fresh, tangible, and unmediated a manner as possible." – Einav Rosenblit, dance researcher and lecturer on dance and philosophy of the arts at the Tel Aviv University and Orot Israel Academic College of Education, Isreael.
"Dance Spreads Its Wings is a preliminary essay—comprehensive, clear, interesting and in-depth on the formation and especially on the development of the dance field, as an important component of culture in Israel. Ruth Eshel’s research encompasses historical and social backgrounds, dialogue with other arts, especially a fascinating story, from pioneering to blossoming." – Dan Oryan, Head of the Department of Theater Studies at the Western Galilee Academic College, Israel.
"In the dance literature in Israel, there are not many studies based on long and thorough work. This book by Ruth Eshel presents basic questions about ninety years of stage dance in Israel while trying to understand the historical reasons, the social motives and the artistic tools." – Naomi Bahat, Head of the School of the Arts at the Kibbutzim College of Education, Technology and the Arts from 1978 to 2000, Tel Aviv, Israel.
"Whether you read this 500-page volume from start to finish or keep it on your shelf for reference, you are sure to get a sense of the global dance activity in Israel over the years." https://wendyperron.com/notable-dance-books-of-2021/ (23.12.2021)
Topics
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Frontmatter
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Acknowledgments
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Contents
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Introduction
XI - Section I: Concert Dance in the Jewish Community in Pre-State Israel (1920–1948)
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Chapter 1 What Do We Dance?
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Chapter 2 The Various Ways of Making Hebrew Dance
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Chapter 3 Creation of Hebrew Holiday Pageants
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Chapter 4 Eretz-Israeli Expressionist Dance
31 - Section II: Three Aspects of American and Israeli Encounters (1948–1964)
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Chapter 5 Israeli Expressionist Dance Meets American Dance
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Chapter 6 American Dance Meets Dance in Israel
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Chapter 7 The American and Yemenite Encounter
86 - Section III: Is Ballet Still Legitimate? (1948–1964)
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Chapter 8 Sowing the Seeds of Ballet
101 -
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Chapter 9 The Israel Opera Ballet
115 - Section IV: Looking to Professionalize Dance: Looking to the Outside (1964–1980)
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Chapter 10 Political and Social Changes
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Chapter 11 The Batsheva Dance Company (First Era)
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Chapter 12 The Bat-Dor Dance Company (First Era)
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Chapter 13 The Israel Ballet (First Era)
166 -
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Chapter 14 New Standards for Dance Teaching
176 - Section V: Between the Periphery and the Center (1948–1980)
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Chapter 15 Tel Aviv – Center of Cultural Activity
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Chapter 16 Dance at the Edge of the Metropolis
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Chapter 17 To Dance in Holy Jerusalem and Socialist Haifa
199 -
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Chapter 18 Dance in the Kibbutz: The Struggle over the Necessity of Concert Dance
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Chapter 19 The Inter-Kibbutz Dance Company: How to Express Our Uniqueness Onstage?
219 - Section VI: The Breakthrough of Alternative Dance and Movement-Theater (1977–1990)
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Chapter 20 Alternative Dance
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Chapter 21 Batsheva 2: A Backup Company or New Dance?
247 -
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Chapter 22 Individualists and New Ensembles
252 -
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Chapter 23 Movement-Theater in Israel
282 -
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Chapter 24 How Do You Meet and How Do You Part?
286 - Section VII: Sowing Seeds – Setting Up Stages (1984–2000)
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Chapter 25 Stages for Creativity
301 -
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Chapter 26 The Spanish Stage
309 -
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Chapter 27 The Butoh Stage
316 -
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Chapter 28 The Arab Stage
324 -
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Chapter 29 The Ethiopian Stage
333 -
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Chapter 30 Immigrants from the USSR Encounter Israeli Dance
340 -
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Chapter 31 Broadening Horizons in Dance Education
347 - Section VIII: Veteran Companies in a Changing World (1980–2000)
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Chapter 32 The Curtain’s Still Up: Batsheva, the Israel Ballet, and Inbal
357 -
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Chapter 33 The Curtain Comes Down: Kol Demama, Tamar Jerusalem, Bat-Dor
379 - Section IX: About to Bloom (1990–2000)
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Chapter 34 It All Comes Together – Renaissance of Creative Impulse
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Chapter 35 The New Voice of the Kibbutz and Batsheva Dance Companies
410 - Section X: The Time and Place in Which We Live (1990–2010)
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Chapter 36 To Speak of Me I Knew
433 -
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Chapter 37 Eshkol-Wachman Movement Notation: Movement Speaking Its Own Language
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Chapter 38 The Religious and the Secular – The Dynamic Between Them
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Chapter 39 Taking a Political Stance
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Chapter 40 To Regions Only Imagined
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Summary
501 -
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Bibliography
505 -
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Index
515
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