Form- und Bewegungskräfte in Kunst, Literatur und Wissenschaft
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About this book
Dealing with forces is part of the basic inventory of artistic processes. In giving shape and movement to material, such forces are manifested in a specific form; as push and pull, for example, as heaviness and lightness, but also as attachment and dissolution. The articles in the book examine notions of formative and motive forces using examples from art, music, dance, theater, photography and literature. The questions posed not only cover how historical notions of force (such as energeia and vis from ancient rhetoric) are adopted, taken further, and correlated with mechanically, metaphysically and organologically based concepts of force, but also how, in the examination of form and movement, the inherent concepts of force are manifested or presented in a new light.
Author / Editor information
Frank Fehrenbach, Lutz Hengst, Frederike Middelhoff, Cornelia Zumbusch, DFG-Kolleg-Forschungsgruppe Imaginarien der Kraft, Hamburg.
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Frontmatter
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Inhaltsverzeichnis
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Vorwort
9 -
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Form- und Bewegungskräfte
17 - Kraftreflexionen: Natur, Geschichte, Ästhetik
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Biologische Autonomie
37 -
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Natur, ‚Kraft‘ und Geschichte
51 -
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Handelnde Kräfte
77 -
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Formkräfte in der Einfühlungsästhetik um 1900
97 - Bewegungskräfte in den Künsten
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Die Form musikalischer Bewegungskraft nach 1600
119 -
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Elevation – Erhebung – Schweben
141 -
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Wandern, winden, sprossen, steigen
167 -
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Plötzliches Italien
193 -
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Transformationen
215 -
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Liquid Matters
231 - Formkräfte: Ökonomien, Organismen, Techniken
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Die Pflanze als Erfinder
251 -
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Technologie im Sinne Leonardos?
291 -
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Das Unding der Kraftverschwendung
303 -
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Die unheimlichen Kräfte der Natur in ‚spekulativen Seinserzählungen‘ von der Romantik bis zur Gegenwart
329 -
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BILDNACHWEISE
349
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