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8 The Uncanny Encounter

  • Benjamin Anderson
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Time and Presence in Art
This chapter is in the book Time and Presence in Art
© 2022 Walter de Gruyter GmbH, Berlin/Boston

© 2022 Walter de Gruyter GmbH, Berlin/Boston

Chapters in this book

  1. Frontmatter I
  2. Acknowledgements V
  3. Contents VII
  4. List of Illustrations IX
  5. Author Biographies XIII
  6. ‘What Then is Time?’ Present and Presence. An Introduction 1
  7. I Temporality, Presence, and Writing Art History
  8. 1 Art History’s Transgressive Temporalities 35
  9. 2 Bild und Präsenz: An Interview with Hans Belting 47
  10. II Time and Presence in the Middle Ages
  11. 3 The Appointed Time: Early Islamic Temporality and the Haram al-Sharif in Jerusalem 53
  12. 4 The Shape of Time: Aligning the Medieval Present with the Biblical Past in the Diagrams of Opicinus de Canistris (1296–ca. 1352) 71
  13. 5 The Paduan Baptistery: A Case Study on the Interrelations of Time and Image in the Fourteenth Century 91
  14. 6 Pointing to a Deeper Now: Time, Sound, Touch, and the Devotional Present in Fifteenth-Century Northern Europe 113
  15. III Encountering Past Presents
  16. 7 Timing Lepanto in Venetian Visual Culture: The Making of Present Past in the 1570s 137
  17. 8 The Uncanny Encounter 159
  18. 9 Engaging Spaces: Matteo Giovannetti’s Frescoes at the Papal Court of Avignon 175
  19. 10 Experiencing the Present (and Past) Through the Body: Pilgrimage as a Tool for Transforming Time, and the Migrating Art Historians Project 199
  20. IV Experiencing Presence in Museum Education
  21. 11 Beyond Interpretation: A Brief Case for Presence at the Heart of Art Museum Education 223
  22. 12 Radiant Dialogue: Discovering Piero’s Crucifixion in The Frick Collection 235
  23. 13 Dialogue on Dialogues: Rika Burnham and Nathaniel Prottas in Conversation 243
  24. Index 251
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