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8 The Uncanny Encounter
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Benjamin Anderson
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Chapters in this book
- Frontmatter I
- Acknowledgements V
- Contents VII
- List of Illustrations IX
- Author Biographies XIII
- ‘What Then is Time?’ Present and Presence. An Introduction 1
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I Temporality, Presence, and Writing Art History
- 1 Art History’s Transgressive Temporalities 35
- 2 Bild und Präsenz: An Interview with Hans Belting 47
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II Time and Presence in the Middle Ages
- 3 The Appointed Time: Early Islamic Temporality and the Haram al-Sharif in Jerusalem 53
- 4 The Shape of Time: Aligning the Medieval Present with the Biblical Past in the Diagrams of Opicinus de Canistris (1296–ca. 1352) 71
- 5 The Paduan Baptistery: A Case Study on the Interrelations of Time and Image in the Fourteenth Century 91
- 6 Pointing to a Deeper Now: Time, Sound, Touch, and the Devotional Present in Fifteenth-Century Northern Europe 113
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III Encountering Past Presents
- 7 Timing Lepanto in Venetian Visual Culture: The Making of Present Past in the 1570s 137
- 8 The Uncanny Encounter 159
- 9 Engaging Spaces: Matteo Giovannetti’s Frescoes at the Papal Court of Avignon 175
- 10 Experiencing the Present (and Past) Through the Body: Pilgrimage as a Tool for Transforming Time, and the Migrating Art Historians Project 199
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IV Experiencing Presence in Museum Education
- 11 Beyond Interpretation: A Brief Case for Presence at the Heart of Art Museum Education 223
- 12 Radiant Dialogue: Discovering Piero’s Crucifixion in The Frick Collection 235
- 13 Dialogue on Dialogues: Rika Burnham and Nathaniel Prottas in Conversation 243
- Index 251
Chapters in this book
- Frontmatter I
- Acknowledgements V
- Contents VII
- List of Illustrations IX
- Author Biographies XIII
- ‘What Then is Time?’ Present and Presence. An Introduction 1
-
I Temporality, Presence, and Writing Art History
- 1 Art History’s Transgressive Temporalities 35
- 2 Bild und Präsenz: An Interview with Hans Belting 47
-
II Time and Presence in the Middle Ages
- 3 The Appointed Time: Early Islamic Temporality and the Haram al-Sharif in Jerusalem 53
- 4 The Shape of Time: Aligning the Medieval Present with the Biblical Past in the Diagrams of Opicinus de Canistris (1296–ca. 1352) 71
- 5 The Paduan Baptistery: A Case Study on the Interrelations of Time and Image in the Fourteenth Century 91
- 6 Pointing to a Deeper Now: Time, Sound, Touch, and the Devotional Present in Fifteenth-Century Northern Europe 113
-
III Encountering Past Presents
- 7 Timing Lepanto in Venetian Visual Culture: The Making of Present Past in the 1570s 137
- 8 The Uncanny Encounter 159
- 9 Engaging Spaces: Matteo Giovannetti’s Frescoes at the Papal Court of Avignon 175
- 10 Experiencing the Present (and Past) Through the Body: Pilgrimage as a Tool for Transforming Time, and the Migrating Art Historians Project 199
-
IV Experiencing Presence in Museum Education
- 11 Beyond Interpretation: A Brief Case for Presence at the Heart of Art Museum Education 223
- 12 Radiant Dialogue: Discovering Piero’s Crucifixion in The Frick Collection 235
- 13 Dialogue on Dialogues: Rika Burnham and Nathaniel Prottas in Conversation 243
- Index 251