Nature and the Arts in Early Modern Naples
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Edited by:
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About this book
The literary, artistic, and scientific culture of early modern Naples is closely linked to the natural topography of the city, stretching from Iacopo Sannazaro’s poetic evocation of the Campania landscape to Giambattista Vico’s approach in which he anchors human civilization to the existential confrontation with natural forces.
With the open sea, the rocky coastline, and the menacing presence of Vesuvius, the image of Naples, more than any other city in early modern times, is associated in the collective imagination with the forces of nature. Even the populace was interpreted as a force of nature.
In this volume, art, literature, and science historians investigate the convergence of culture and nature in a unique geographic context.
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Art and nature in early modern Naples
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Contributions on urban design, architecture, topography, and material
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The history of science and art
Author / Editor information
Frank Fehrenbach, Hamburg University
Joris van Gastel, University of Zurich
Reviews
Topics
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Frontmatter
I -
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Content
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Introduction
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“Maestra natura”
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Virgile, source artistique et scientifique ‘locale’ dans la Naples aragonaise
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The Monte Nuovo Episode and the Changing Balance between Nature and Heritage in Sixteenth-Century Descriptions of Naples
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“Das unendliche Leben dieser unvergleichlichen Stadt”
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Natura e arte nel diario di un viaggio a Napoli di Monsignor Giovan Battista Confalonieri (1616)
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Silver’s Eye
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Bronzegüsse und Lavaströme
105 -
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Funny Games & Fatal Attractions
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Frame, Content, and Surface in Neapolitan Revetment
133 -
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„…a qua vivimus“
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Color Plates
177 -
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A Porous Baroque
193 -
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Possible Ecologies of Vesuvian Nature and Art
209 -
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Conoscenza scientifica e pratica artistica
223 -
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Bibliography
239 -
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Index
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Image Credits
269
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