8 The “Hybrid” Iconography of the Agnus Dei in Moldavian Wall Paintings

Chapters in this book

1. Frontmatter I
2. Contents V
3. Acknowledgements IX
4. List of Contributors XI
5. List of Illustrations XV
6. Foreword 1
7. Introduction 9
8. Negotiating Traditions
9. 1 Cross-Cultural and Transcultural Entanglement and Visual Culture in Eastern Europe, ca. 1300–1550 29
10. 2 Serbian Royal Mausolea:A Quest for Cultural Identity 57
11. 3 Byzantine Forms and Catholic Patrons in Late Medieval Transylvania 77
12. 4 Buttressing Orthodoxy: Imagining Hagia Sophia and Celebrating Constantinople in Sixteenth-Century Russia 103
13. 5 Eclecticism and Originality in the Early Post-Byzantine Art of the Ottoman Balkans 131
14. Shifting Iconographies
15. 6 Pro or Contra Filioque? Trinitarian Synthronoi Images at the Crossroads of the Catholic West and the Orthodox East (ca. 1300–1500) 157
16. 7 The Dormition of the Virgin Between East and West: Artistic Exchange and Innovation in Medieval Wall Paintings from Slovakia 179
17. 8 The “Hybrid” Iconography of the Agnus Dei in Moldavian Wall Paintings 199
18. 9 The Akathistos on the Move and the Geography of Post-Byzantine Art 221
19. 10 The Crucified Monk at the Edge of Traditions 239
20. Patterns of Patronage
21. 11 “Sic enim Constantinus . . .” The Equestrian Portrait of King Ladislaus Jagiełło in the Holy Trinity Chapel at the Castle of Lublin (1418) 259
22. 12 Donors, Patrons, and Benefactors in Medieval Epirus Between the Great Empires: A Society in Change or Continuity? 291
23. 13 Albanian Votive Images as Media of Transcultural Interaction Between Tradition and Innovation 315
24. 14 Toward a New Era: Patronage and Luxury Endowments to Mount Athos (Fourteenth to Mid-Sixteenth Centuries) 341
25. 15 A Murderer Among the Seraphim: Lăpușneanu’s Transfiguration Embroideries 369
26. Indexes 401