Pilgrimage across Borders: Painted Pilgrim’s Badges in Flemish Illuminated Manuscripts

Chapters in this book

1. Frontmatter I
2. Acknowledgments V
3. Contents VII
4. Contributors XI
5. Abbreviations XV
6. I Introduction
7. Preciousness on Parchment: Materiality, Pictoriality, and the Decorated Book 1
8. II Technique
9. Surface Effect and Substance: Precious Metals in Illuminated Manuscripts 51
10. III Representation
11. Metal Labor, Material Conversions: Goldsmiths in the Life of St. Denis and in Parisian Life, ca. 1300 113
12. Copying, Imitation, and Intermediality in Illuminated Ethiopic Manuscripts from the Early Solomonic Period 139
13. The Colors of Metalworks: The Painted Materials of Machinery in Byzantium 167
14. IV Material Translations
15. Metal, Materiality, and Maṣāḥif: Ornamentation in Abbasid Qur’ans 199
16. Manuscript as Metalwork: Haptic Vision in Early Carolingian Gospel Books 223
17. A “Multimedia” Manuscript: Metalwork and the Siegburg Lectionary 247
18. Illuminating Luxury: The Gray-Gold Flemish Grisailles 275
19. V Treasuries in Books, Books as Treasuries
20. The Golden Spaces of the Uta Codex 303
21. The Matter of Memory: Illuminated Metalwork in the Vita of St. Albinus of Angers 333
22. Packaging the Sainte-Chapelle Relic Treasury, Paris ca. 1500 361
23. VI Phenomenology and Piety
24. Pilgrimage across Borders: Painted Pilgrim’s Badges in Flemish Illuminated Manuscripts 393
25. Peripheral Primacy: Metallic Illumination and Material Illusion in the Aussem Hours 421
26. A Curator’s Note: The Tarnished Reception of Remarkable Manuscripts 443
27. Bibliography 463
28. Index of Manuscripts 505
29. Index of Names 511
30. Index of Places 515
31. Subject Index 519