Volume 8 2018
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Edited by:
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About this book
The eighth volume of the International Yearbook of Futurism Studies is again an open issue and presents in its first section new research into the international impact of Futurism on artists and artistic movements in France, Great
Britain, Hungary and Sweden. This is followed by a study that investigates a variety of Futurist inspired developments in architecture, and an essay that demonstrates that the Futurist heritage was far from forgotten after the Second World War. These papers show how a wealth of connections linked Futurism with Archigram, Metabolism, Archizoom and Deconstructivism, as well as the Nuclear Art movement, Spatialism, Environmental Art, Neon Art, Kinetic Art and many other trends of the 1960s and 70s.
The second section focuses on Futurism and Science and contains a number of papers that were first presented atthe fifth bi-annual conference of the European Network for Avant-Garde and Modernism Studies (EAM), held on 1–3 June 2016 in Rennes. They investigate the impact of science on Futurist aesthetics and the Futurist quest for a new perception and rational understanding of the world, as well as the movement’s connection with the esoteric domain, especially in the field of theosophy, the Hermetic tradition, Gnostic mysticism and a whole phalanx of Spiritualist beliefs.
The Archive section offers a survey of collections and archives in Northern Italy that are concerned with Futurist ceramics, and a report on the Fondazione Primo Conti in Fiesole, established in April 1980 as a museum, library and archive devoted to the documentation of the international avant-garde, and to Italian Futurism in particular.
A review section dedicated to exhibitions, conferences and publications is followed by an annual bibliography of international Futurism studies, exhibition catalogues, special issues of periodicals and new editions.
Topics
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Frontmatter
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Contents
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Editorial
IX - Section 1: Futurism Studies
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Futurism and Pan-Latin Ideology: A Contradictory Appropriation
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Futurism in English Art and Literature: The Response of Imagism and Vorticism
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Framing Futurism in Hungary (1909–1944)
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Hugó Scheiber: Futurism in the Rhythm of Jazz
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Claiming Futurism: Arturo Ciacelli in Scandinavia
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The Reception of Futurist Architecture after the Second World War
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Lucio Fontana and Futurism after the Second World War
150 - Section 2: Futurism and Science
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Khlebnikov and Science: Time, Space and the Fourth Dimension
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The Futurist Concept of ‘Man Extended by Machines’
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Marinetti, Aesthetics and the Lyricism of Electrochemical Romance
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Umberto Boccioni and Science: A Reassessment
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A Science of Feeling: The Futurist Body and Luciano Folgore’s Ponti sull’oceano
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Notes on ‘Esoteric Futurism’: Marinetti and the Occultist Circle in Milan
294 - Section 3: Archive Reports
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The Fondazione Primo Conti: A Centre for Documenting and Researching the Historical Avant-garde
327 -
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Futurist Ceramics: Collections and Archives in Northern Italy
340 - Section 4: Critical responses to exhibitions, conferences and publications
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Futurist arte / vita: Benedetta Fictionalized
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Antonio Sant’Elia’s Novel
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Futurism and the First World War Revised: A Review Essay
380 -
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Futurism in Coimbra
387 -
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The Centenary of Umberto Boccioni’s Death in 1916: A Commemorative Exhibition and Some New Publications
395 -
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Enrico Prampolini’s Futurism and the Polish Avant-garde
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Echoes of Futurism in Portugal and Brazil: The International Conference 100 Futurismo
415 -
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Centenary Commemorations of Antonio Sant’Elia’s Death
421 -
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Valentine de Saint-Point at the Crossroads of the Avant-gardes: An International Conference in Nantes, 11‒12 May 2017
425 - Section 5: Obituaries
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Chris Michaelides (1949–2017)
435 - Section 6: Bibliography
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A Bibliography of Publications on Futurism, 2015–2017
439 - Section 7: Back Matter
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List of Illustrations and Provenance Descriptions
457 -
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Notes on Contributors
461 -
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Name Index
467 -
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Subject Index
495 -
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Geographical Index
521
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