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Wonder(s) in Plautus

  • Chrysanthi Demetriou
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Abstract

This paper examines the cases where a Plautine comic intrigue is identified with a story of wonder. It focuses on the Amphitruo, the only play from the period of New Comedy that revolves around divine actions. By elaborating on the idea that miraculous incidents in the Amphitruo are presented as a comic scheme by Jupiter, it co-examines the incidents of this unique comedy with other, more ‘conventional’ Plautine intrigues, mainly in the Mostellaria and the Miles Gloriosus. By juxtaposing the way wonders are presented by the comic tricksters, and how they are perceived by their audience, the paper argues that Plautus, in his treatments of wonders, while offering a manifold approach to the wondrous, also accentuates the importance of personal experience. Finally, the playwright’s treatment of wonders is examined as a possible parallel to contemporary ideological debates, in order to also disclose the interests of Plautus’ audience.

Abstract

This paper examines the cases where a Plautine comic intrigue is identified with a story of wonder. It focuses on the Amphitruo, the only play from the period of New Comedy that revolves around divine actions. By elaborating on the idea that miraculous incidents in the Amphitruo are presented as a comic scheme by Jupiter, it co-examines the incidents of this unique comedy with other, more ‘conventional’ Plautine intrigues, mainly in the Mostellaria and the Miles Gloriosus. By juxtaposing the way wonders are presented by the comic tricksters, and how they are perceived by their audience, the paper argues that Plautus, in his treatments of wonders, while offering a manifold approach to the wondrous, also accentuates the importance of personal experience. Finally, the playwright’s treatment of wonders is examined as a possible parallel to contemporary ideological debates, in order to also disclose the interests of Plautus’ audience.

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