Sensory Reflections
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Edited by:
Fiona Griffiths
and Kathryn Starkey
About this book
This volume draws on emerging scholarship at the intersection of two already vibrant fields: medieval material culture and medieval sensory experience. The rich potential of medieval matter (most obviously manuscripts and visual imagery, but also liturgical objects, coins, textiles, architecture, graves, etc.) to complement and even transcend purely textual sources is by now well established in medieval scholarship across the disciplines. So, too, attention to medieval sensory experiences—most prominently emotion—has transformed our understanding of medieval religious life and spirituality, violence, power, and authority, friendship, and constructions of both the self and the other. Our purpose in this volume is to draw the two approaches together, plumbing medieval material sources for traces of sensory experience - above all ephemeral and physical experiences that, unlike emotion, are rarely fully described or articulated in texts.
Author / Editor information
Reviews
"Griffiths and Starkey's collection explores the ways in which nine different sorts of objects were--or, at least, might have been--experienced in the Middle Ages. […] All [chapters] offer new ways to think about material things. […T]his is a book worth savoring in all one's senses."
Barbara Rosenwein, The Medieval Review
Supplementary Materials
Topics
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Frontmatter
I -
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Contents
V -
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Acknowledgments
VII -
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List of Abbreviations
IX -
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Contributor Biographies
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Sensing Through Objects
1 -
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1. The Songbook as Sensory Artifact
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2. Sensory Experiences of Low-Status Female Textile Workers in the Carolingian World
50 -
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3. Appealing to the Senses: Experiencing Adornment in the Early Medieval Eastern Mediterranean
77 -
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4. Sensing Iconography: Ornamentation, Material, and Sensuousness in Early Anglo-Saxon Metalwork
97 -
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5. The Vessel as Garden: The “Alhambra Vases” and Sensory Perception in Nasrid Architecture
116 -
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6. Theatricality, Materiality, Relics: Reliquary Forms and the Sensational in Mosan Art
142 -
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7. The Wound’s Presence and Bodily Absence: Activating the Spiritual Senses in a Fourteenth-Century Manuscript
163 -
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8. Birds in Hand: Micro-books and the Devotional Experience
181 -
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9. Moved by Medicine: The Multisensory Experience of Handling Folding Almanacs
203 -
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10. “putten to ploughe”: Touching the Peasant Sensory Community
225 -
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Reflections on Sensory Reflections: An Afterword
249 -
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Index
259 -
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Plates
265
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