facades

Kapitel in diesem Buch

1. Frontmatter 1
2. Contents 4
3. Foreword 6
4. Introduction 8
5. Part 1. Theories on Digital Synesthesia
6. Syn-Aesthetics of Digital Art 10
7. Synesthesia: Perception, Language, Digital Art 29
8. A Philosophical Perspective on Unified Conscious Experience in Synesthesia: Insights from Philosophy of Perception and Aesthetics 35
9. Ideasthesia and Art 41
10. Transformation, Transliteration and Translation. Synesthesia and Multisensory Perception in Contemporary Visual Art 53
11. Sensing Digital Art: Aesthetic Acts Beyond (the two) Synesthesia(s) 59
12. Digital Synesthesia: Reminiscing about Science and Art 65
13. The Incidental Synesthete 81
14. The Interaction between Seeing and Moving: Eye Movements as a Window to the Mind? 85
15. Digital Synesthesia 91
16. Part 2. Artistic Research on Digital Synesthesia
17. VERTICAL 2 100
18. Space Time 106
19. At Play 110
20. Diver 114
21. E.E.G. KISS 118
22. The Flying Umbrella Project 124
23. Bestiary for the Minds of the 21st Century: Genomic Opera 126
24. Sound Calligraphy 132
25. facades 136
26. MotU #4–#6 140
27. Topography of Movement 144
28. IN_SIDE VIEW 148
29. Transmission+Interference 150
30. I am Sound 154
31. Data Music 158
32. Part 3. Digital Synesthesia Exhibition
33. Angewandte Innovation Laboratory, Vienna, 2016 164
34. Authors’ Biographies 186
35. Imprint 198