Gerardo Dottori at the Estorick Collection

Chapters in this book

1. Frontmatter I
2. Contents V
3. Editorial IX
4. Section 1: Women Artists and Futurism
5. Alice Bailly, Ambassador of Futurism in Switzerland 3
6. Narratives of Women Artists in/ out of Vorticism 21
7. Beyond the Frame: Reassessing Jessie Dismorr and Helen Saunders 44
8. Mary Swanzy (1882–1978): A Futurist Painter from Ireland 70
9. Valentine de Saint-Point: A Futurist Woman? 87
10. Flirting with Futurism: Norah Borges and the Avant-garde 111
11. Růžena Zátková: An Unorthodox Female Futurist 136
12. Penetrating Men’s Territory: Russian Avant-garde Women, Futurism and the First World War 168
13. Olga Rozanova: A True Futurist 199
14. Tatiana Vechorka: A Futurist Poetess in Tbilisi, Baku and Moscow 226
15. Alexandra Exter 1908–1914: Futurist Influences from Russia and the West 252
16. Elena Guro: On the Crossroads between Symbolism, Organicism and Cubo-Futurism 266
17. Nina Henke-Meller and Ukrainian Futurism 292
18. Eva Amendola Kühn (Magamal): A Futurist of Lithuanian Extraction 297
19. Magamal in Fiction: A Novel by Mira Otašević 327
20. Edyth von Haynau: A Viennese Aristocrat in the Futurist Circles of the 1910s 333
21. “The Pleasure of Being at the Wheel”: The Mechanical Aesthetics of Gertrude Stein and F.T. Marinetti 366
22. Rea Nikonova and the Legacy of Russian Futurism 395
23. Section 2: Caricatures and Satires of Futurism in the Contemporary Press
24. Matilde Serao’s Battle with the Futurists in Naples 426
25. The Ego-Kubo-Rayo-Donkey-Tail-Futurists: About a Russian Cartoon of 1913 431
26. Gecé’s Angelic Depiction of Norah Borges 435
27. Art and Anarchy: Futurists and Suffragettes in London, 1910–1915 439
28. Section 3: Reports
29. The International Academy of Zaum 445
30. Women Futurists in Italy: A Research Report 450
31. Section 4: Obituary
32. Serge Segay (1947–2014): An Obituary 467
33. Section 5: Reviews
34. Futurism and War: A Conference in Zagreb (28–29 June 2014) 477
35. Futurist Utopias 486
36. The Jack of Diamonds Disputes at the Courtauld Institute, London (24 October and 7 November 2014) 495
37. (Re)Constructing the Futurist Universe: Toward a More Careful and Complete Historiography 502
38. Gerardo Dottori at the Estorick Collection 516
39. The Russian Avant-garde and Its Eastern Roots 523
40. Futurism in Latin America: An Exhibition at the Ibero-American Institute in Berlin 531
41. A New Analysis of Futurist Manifestos 537
42. The Dramaturgy of Sound in Futurist Theatre 541
43. Futurism in the Far East 550
44. Section 6: Bibliography
45. A Bibliography of Publications on Futurism, 2012–2014 561
46. Section 7: Back Matter
47. List of Illustrations and Provenance Descriptions 591
48. Notes on Contributors 596
49. Name Index 605
50. Subject Index 635
51. Geographical Index 661