Transnational Film History? Um Cinema Teuto-Brasileiro

Chapters in this book

1. Frontmatter i
2. Table of Contents v
3. KulturConfusão: On German-Brazilian Hybridities and Intercultural Hermeneutics 1
4. Indigenous Projections
5. Germans and Indians in Brazil: The Transatlantic Construction of Ethnic Identity in the Discourse of Indian Protection 21
6. “Paradise with Black Angels”: Brazil in Eighteenth-Century Germany 43
7. Devouring Culture: Cannibalism, National Identity, and Nineteenth-Century German Emigration to Brazil 71
8. Cultural Entanglements and Ethnographic Refractions: Theodor Koch-Grünberg in Brazil 95
9. Everyday Cultures and Media
10. German-Brazilian Cultural Exchange in the Times of the Dictatorship: The Cultural Magazine Intercâmbio 119
11. From Documentation to Dialogue: On Bringing Brazilian Popular Music and Jazz to West Germany 137
12. Conceptual Metaphors: A Culture-Specific Construction of Meaning Using the “Life Is War” Metaphor in Brazilian and German Rap Lyrics 159
13. Transnational Film History? Um Cinema Teuto-Brasileiro 179
14. Literary Fusions and Interstitial Spaces
15. Tropical Subjectivity and the European Tradition of Bildung: Macunaíma, a Hero Without a Character, by Mário de Andrade 201
16. “Everywhere Paradise Is Lost”: The Brazilian National Myth in the Works of Refugees of Nazism 219
17. Submarine: Germany Resurfacing in the Contemporary Brazilian Novel 247
18. “Exiled from the World”: German Expressionism, Brazilian Modernism, and the Interstitial Primitivism of Lasar Segall 267
19. Between São Paulo and Stuttgart: Multilingualism, Translation, and Interculturality in Haroldo de Campos’s and Vilém Flusser’s Work 301
20. Contributors 319
21. Index 323