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3. Regional Romanticisms

  • Katharina Rennhak
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Handbook of British Romanticism
This chapter is in the book Handbook of British Romanticism
© 2017 Walter de Gruyter GmbH, Berlin/Munich/Boston

© 2017 Walter de Gruyter GmbH, Berlin/Munich/Boston

Chapters in this book

  1. Frontmatter I
  2. Contents VII
  3. 0. Romanticism and Theory: An Introduction 1
  4. Part I. Systematic Questions
  5. 1. Political and Social History c. 1780–1832 27
  6. 2. Gender and Class 49
  7. 3. Regional Romanticisms 67
  8. 4. Urban Romanticism 88
  9. 5. Romanticism and the Philosophy of Religion 104
  10. 6. Popular and Media Culture 116
  11. 7. Science and Knowledge 135
  12. 8. The European Context 164
  13. Part II. Romantic Genres
  14. 9. The Lyric 183
  15. 10. Theatre and Drama 201
  16. 11. Fiction 218
  17. 12. Romantic Travel Books 237
  18. Part III. Close Readings
  19. 13. Robert Burns, Selected Poetry (1791–1795) 259
  20. 14. William Blake, America (1793) 277
  21. 15. William Godwin, Caleb Williams (1794) 293
  22. 16. Ann Radcliffe, The Mysteries of Udolpho (1794) 308
  23. 17. Joanna Baillie, Plays on the Passions (1798) 326
  24. 18. William Wordsworth and Samuel Taylor Coleridge, Lyrical Ballads (1798, 1800) 344
  25. 19. Samuel Taylor Coleridge, “The Rime of the Ancient Mariner” (1798) 360
  26. 20. Maria Edgeworth, Castle Rackrent (1800) 376
  27. 21. William Wordsworth, The Prelude (1798, 1799, 1805, 1850) 391
  28. 22. Mary Tighe, Psyche (1805) 409
  29. 23. Sydney Owenson (Lady Morgan), The Wild Irish Girl (1806) 425
  30. 24. Charlotte Smith, Beachy Head (1807) 439
  31. 25. Anna Letitia Barbauld, Eighteen Hundred and Eleven (1812) 459
  32. 26. Thomas Moore, Irish Melodies (1808– 1834) 474
  33. 27. Jane Austen, Pride and Prejudice (1813) 489
  34. 28. Sir Walter Scott, Waverley (1814) 505
  35. 29. Mary Shelley, Frankenstein (1818) 523
  36. 30. Lord Byron, Don Juan (1818–1824) 540
  37. 31. John Keats, The Odes (1819) 556
  38. 32. Percy Bysshe Shelley, Selected Poetry (1819–1822) 575
  39. 33. Charles Maturin, Melmoth the Wanderer (1820) 589
  40. 34. James Hogg, The Confessions of a Justified Sinner (1824) 606
  41. 35. Felicia Hemans, The Forest Sanctuary (1825) 620
  42. 36. William Hazlitt, The Spirit of the Age (1825) 635
  43. 37. Thomas Lovell Beddoes, Death’s Jest-Book (1829) 647
  44. 38. Thomas Carlyle, Sartor Resartus (1833–1834) 666
  45. Index of Subjects and Places 685
  46. Index of Names and Works 698
  47. List of Contributors 713
https://doi.org/10.1515/9783110376692-004

Chapters in this book

  1. Frontmatter I
  2. Contents VII
  3. 0. Romanticism and Theory: An Introduction 1
  4. Part I. Systematic Questions
  5. 1. Political and Social History c. 1780–1832 27
  6. 2. Gender and Class 49
  7. 3. Regional Romanticisms 67
  8. 4. Urban Romanticism 88
  9. 5. Romanticism and the Philosophy of Religion 104
  10. 6. Popular and Media Culture 116
  11. 7. Science and Knowledge 135
  12. 8. The European Context 164
  13. Part II. Romantic Genres
  14. 9. The Lyric 183
  15. 10. Theatre and Drama 201
  16. 11. Fiction 218
  17. 12. Romantic Travel Books 237
  18. Part III. Close Readings
  19. 13. Robert Burns, Selected Poetry (1791–1795) 259
  20. 14. William Blake, America (1793) 277
  21. 15. William Godwin, Caleb Williams (1794) 293
  22. 16. Ann Radcliffe, The Mysteries of Udolpho (1794) 308
  23. 17. Joanna Baillie, Plays on the Passions (1798) 326
  24. 18. William Wordsworth and Samuel Taylor Coleridge, Lyrical Ballads (1798, 1800) 344
  25. 19. Samuel Taylor Coleridge, “The Rime of the Ancient Mariner” (1798) 360
  26. 20. Maria Edgeworth, Castle Rackrent (1800) 376
  27. 21. William Wordsworth, The Prelude (1798, 1799, 1805, 1850) 391
  28. 22. Mary Tighe, Psyche (1805) 409
  29. 23. Sydney Owenson (Lady Morgan), The Wild Irish Girl (1806) 425
  30. 24. Charlotte Smith, Beachy Head (1807) 439
  31. 25. Anna Letitia Barbauld, Eighteen Hundred and Eleven (1812) 459
  32. 26. Thomas Moore, Irish Melodies (1808– 1834) 474
  33. 27. Jane Austen, Pride and Prejudice (1813) 489
  34. 28. Sir Walter Scott, Waverley (1814) 505
  35. 29. Mary Shelley, Frankenstein (1818) 523
  36. 30. Lord Byron, Don Juan (1818–1824) 540
  37. 31. John Keats, The Odes (1819) 556
  38. 32. Percy Bysshe Shelley, Selected Poetry (1819–1822) 575
  39. 33. Charles Maturin, Melmoth the Wanderer (1820) 589
  40. 34. James Hogg, The Confessions of a Justified Sinner (1824) 606
  41. 35. Felicia Hemans, The Forest Sanctuary (1825) 620
  42. 36. William Hazlitt, The Spirit of the Age (1825) 635
  43. 37. Thomas Lovell Beddoes, Death’s Jest-Book (1829) 647
  44. 38. Thomas Carlyle, Sartor Resartus (1833–1834) 666
  45. Index of Subjects and Places 685
  46. Index of Names and Works 698
  47. List of Contributors 713
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