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3. Anishinaabe Dibendaagoziwin (Ownership) and Ganawenindiwin (Protection)

  • Darren Courchene
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© 2016 Walter de Gruyter GmbH, Berlin/Munich/Boston

© 2016 Walter de Gruyter GmbH, Berlin/Munich/Boston

Chapters in this book

  1. Frontmatter I
  2. Contents V
  3. About IFLA IX
  4. Acknowledgements XI
  5. Preface Preface 1
  6. Part One: Notions of Traditional Knowledge
  7. 1. Who is Indigenous? 7
  8. 2. The Embodied Library 25
  9. 3. Anishinaabe Dibendaagoziwin (Ownership) and Ganawenindiwin (Protection) 40
  10. 4. How to Integrate Mātauranga Māori into a Colonial Viewpoint 57
  11. Part Two: Notions of Ownership
  12. 5. The Traditional Knowledge – Intellectual Property Interface 67
  13. 6. Traditional Cultural Expressions and Cultural Institutions 75
  14. 7. Cultural Institutions and the Documentation of Indigenous Cultural Heritage 89
  15. 8. Ko Aotearoa Tenei: Indigenous Cultural and Intellectual Property Rights in Aotearoa New Zealand 107
  16. 9. Sharing and Preserving Indigenous Knowledge of the Arctic Using Information and Communications Technology 126
  17. 10. Mayan Languages in the Digital Age 145
  18. 11. Preparing Entry-level Information Professionals for Work with and for Indigenous Peoples 157
  19. Part Three: Notions of Libraries, Archives, and Museums
  20. 12. Cultural Relevance in Tribal Libraries 181
  21. 13. Inspired by Land and Spirit 194
  22. 14. Establishing Aboriginal Presence in the Museum Sector 210
  23. 15. Decolonizing Museological Practices at the Canadian Museum for Human Rights 229
  24. 16. Aanischaaukamikw 244
  25. 17. Nā Kahu ‘Ike Hawaiʻi 257
  26. 18. Leveraging Memory Institutions to Preserve Indigenous Knowledge in the Knowledge Age 273
  27. 19. The University of the Philippines Baguio Cordillera Studies Collection Library and UP Baguio Cordillera/Northern Luzon Historical Archives in the Dissemination of Indigenous Knowledge for Indigenous Peoples 286
  28. 20. A Holistic Perspective on Indigenous Digital Libraries in Taiwan 311
  29. 21. Indigenous Digital Oral History 325
  30. 22. Accessing Sound at Libraries, Archives, and Museums 344
  31. Author Biographies 369
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