Redefining Dionysos
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Edited by:
Alberto Bernabé
, Miguel Herrero de Jáuregui , Ana Isabel Jiménez San Cristóbal and Raquel Martín Hernández
About this book
This book contributes to the understanding of Dionysos, the Greek god of wine, dancing, theatre and ecstasy, by putting together 30 studies of classical scholars. They combine the analysis of specific instances of particular dimensions of the god in cult, myth, literature and iconography, with general visions of Dionysos in antiquity and modern times. Only from the combination of different perspectives can we grasp the complex personality of Dionysos, and the forms of his presence in different cults, literary genres, and artistic forms, from Mycenaean times to late antiquity.
The ways in which Dionysos was experienced may vary in each author, each cult, and each genre in which this god is involved. Therefore, instead of offering a new all-encompassing theory that would immediately become partial, the book narrows the focus on specific aspects of the god. Redefinition does not mean finding (again) the essence of the god, but obtaining a more nuanced knowledge of the ways he was experienced and conceived in antiquity.
Author / Editor information
Alberto Bernabé, Miguel Herrero de Jáuregui, Ana Isabel Jiménez San Cristóbal and Raquel Martín Hernández, Universidad Complutense de Madrid, Spain.
Supplementary Materials
Topics
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Frontmatter
i -
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Acknowledgements
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Contents
vii -
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Introduction
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Walter F. Otto’s Dionysos (1933)
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Dionysos in the Mycenaean World
23 -
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The Term βάκχος and Dionysos Βάκχιος
38 -
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Apollo and Dionysos: Intersections
58 -
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‘Rien pour Dionysos?’ Le dithyrambe comme forme poétique entre Apollon et Dionysos
82 -
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Redefining Dionysos in Athens from the Written Sources: The Lenaia, Iacchos and Attic Women
100 -
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Gender Differentiation and Role Models in the Worship of Dionysos: The Thracian and Thessalian Pattern
120 -
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Dionysos versus Orpheus?
144 -
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Maenadic Ecstasy in Greece: Fact or Fiction?
159 -
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Maenadic Ecstasy in Rome: Fact or Fiction?
185 -
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Dioniso e i cani di Atteone in Eumelo di Corinto (Una nuova ipotesi su P. Oxy. xxx 2509 e Apollod. 3.4.4)
200 -
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Dionysos in the Homeric Hymns: the Olympian Portrait of the God
235 -
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Herodotus’ Egyptian Dionysos. A Comparative Perspective
250 -
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Dushara and Allāt alias Dionysos and Aphrodite in Herodotus 3.8
261 -
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The Sophoclean Dionysos
272 -
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Under the Spell of the Dionysian: Some Meta-tragic Aspects of the Xenos Attributes in Euripides’ Bacchae
301 -
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The Image of Dionysos in Euripides’ Bacchae: The God and his Epiphanies
329 -
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The Names of Dionysos in Euripides’ Bacchae and the Rhetorical Language of Teiresias
349 -
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Dionysos in Old Comedy. Staging of Experiments on Myth and Cult
366 -
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Dionysian Enthusiasm in Plato
386 -
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Les ‘Dionysoi’ de Patras Le mythe et le culte de Dionysos dans la Periégèse de Pausanias
401 -
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Dionysos in Egypt? Epaphian Dionysos in the Orphic Hymns
415 -
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Dioniso tra polinomia ed enoteismo: il caso degli Inni Orfici
433 -
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Dionysos and Dionysism in the Third Book of Maccabees
452 -
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Parallels between Dionysos and Christ in Late Antiquity: Miraculous Healings in Nonnus’ Dionysiaca
464 -
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The Gifts of Dionysos
488 -
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The Symposiast Dionysos: A God like Ourselves
504 -
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Bacchus and Felines in Roman Iconography: Issues of Gender and Species
526 -
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An Augustan Trend towards Dionysos: Around the ‘Auditorium of Maecenas’
541 -
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Dionysos: One or Many?
554 -
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Contributors
583 -
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Analytic Index
586 -
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Index Fontium
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Plates. Part 1
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Plates. Part 2
xxi
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