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French Art for All! Museum Projects in Africa 1912–1931 between Avant-garde and Colonialism
-
Bärbel Küster
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Chapters in this book
- Frontmatter i
- Content v
- Towards a Transnational History of Museums. An Introduction 1
-
Museums and the Transnational Circuits of Artefacts
- The Ancient Near East in Storage. Assyrian Museum Objects as a Cultural Challenge in Victorian England 19
- Competition, Exchange, Comparison. Nineteenth-Century Cast Museums in Transnational Perspective 31
- Reproduced Art. Early Photographic Campaigns in European Collections 45
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Cross-border Transfers of Architectural Models and Display Principles
- Top Lighting from Paris in 1750 61
- A European Museum-Cocktail around 1900. The Pushkin State Museum of Fine Arts in Moscow 77
- The Journal Mouseion as Means of Transnational Culture. Guglielmo Pacchioni and the Dawn of the “Modern Museum” in Italy 89
-
Close Inspections of the “Other.” Commissions and Experts on Tour
- Cultural Excursions 103
- From Model Museum to the Fear of the Uhlan. Museum Relations between France and Germany during the Second Empire 117
- Admiration and Fear. The Reports of Marius Vachon on Museums of Industrial Arts in Europe 131
- Cosmopolitan Scholar, Servant of Art. Transnational Contexts of Igor Grabar in Early Twentieth-Century Russia 147
-
Reforming the Museum – A Supranational Project
- Art Beyond the Nation A European Vision for the National Gallery 165
- The Journal Museumskunde – “Another Link between the Museums of the World” 179
- Between Museumsinsel and Manhattan. Wilhelm R. Valentiner, Ambassador and Agent of Wilhelm von Bode at the Metropolitan Museum, 1908–1914 191
- The German Museum Curators and the International Museums Office, 1926–1937 205
-
Museums as Transnational Sites for National Identities
- Building on the London 1881 Pretext 221
- Museum as a Transnational Space for National Identities. A Case Study on the Turkish Experience 233
- French Art for All! Museum Projects in Africa 1912–1931 between Avant-garde and Colonialism 245
- Illustration credits 259
- Index 261
- Acknowledgements 266
Chapters in this book
- Frontmatter i
- Content v
- Towards a Transnational History of Museums. An Introduction 1
-
Museums and the Transnational Circuits of Artefacts
- The Ancient Near East in Storage. Assyrian Museum Objects as a Cultural Challenge in Victorian England 19
- Competition, Exchange, Comparison. Nineteenth-Century Cast Museums in Transnational Perspective 31
- Reproduced Art. Early Photographic Campaigns in European Collections 45
-
Cross-border Transfers of Architectural Models and Display Principles
- Top Lighting from Paris in 1750 61
- A European Museum-Cocktail around 1900. The Pushkin State Museum of Fine Arts in Moscow 77
- The Journal Mouseion as Means of Transnational Culture. Guglielmo Pacchioni and the Dawn of the “Modern Museum” in Italy 89
-
Close Inspections of the “Other.” Commissions and Experts on Tour
- Cultural Excursions 103
- From Model Museum to the Fear of the Uhlan. Museum Relations between France and Germany during the Second Empire 117
- Admiration and Fear. The Reports of Marius Vachon on Museums of Industrial Arts in Europe 131
- Cosmopolitan Scholar, Servant of Art. Transnational Contexts of Igor Grabar in Early Twentieth-Century Russia 147
-
Reforming the Museum – A Supranational Project
- Art Beyond the Nation A European Vision for the National Gallery 165
- The Journal Museumskunde – “Another Link between the Museums of the World” 179
- Between Museumsinsel and Manhattan. Wilhelm R. Valentiner, Ambassador and Agent of Wilhelm von Bode at the Metropolitan Museum, 1908–1914 191
- The German Museum Curators and the International Museums Office, 1926–1937 205
-
Museums as Transnational Sites for National Identities
- Building on the London 1881 Pretext 221
- Museum as a Transnational Space for National Identities. A Case Study on the Turkish Experience 233
- French Art for All! Museum Projects in Africa 1912–1931 between Avant-garde and Colonialism 245
- Illustration credits 259
- Index 261
- Acknowledgements 266