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French Art for All! Museum Projects in Africa 1912–1931 between Avant-garde and Colonialism

  • Bärbel Küster
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The Museum Is Open
This chapter is in the book The Museum Is Open

Chapters in this book

  1. Frontmatter i
  2. Content v
  3. Towards a Transnational History of Museums. An Introduction 1
  4. Museums and the Transnational Circuits of Artefacts
  5. The Ancient Near East in Storage. Assyrian Museum Objects as a Cultural Challenge in Victorian England 19
  6. Competition, Exchange, Comparison. Nineteenth-Century Cast Museums in Transnational Perspective 31
  7. Reproduced Art. Early Photographic Campaigns in European Collections 45
  8. Cross-border Transfers of Architectural Models and Display Principles
  9. Top Lighting from Paris in 1750 61
  10. A European Museum-Cocktail around 1900. The Pushkin State Museum of Fine Arts in Moscow 77
  11. The Journal Mouseion as Means of Transnational Culture. Guglielmo Pacchioni and the Dawn of the “Modern Museum” in Italy 89
  12. Close Inspections of the “Other.” Commissions and Experts on Tour
  13. Cultural Excursions 103
  14. From Model Museum to the Fear of the Uhlan. Museum Relations between France and Germany during the Second Empire 117
  15. Admiration and Fear. The Reports of Marius Vachon on Museums of Industrial Arts in Europe 131
  16. Cosmopolitan Scholar, Servant of Art. Transnational Contexts of Igor Grabar in Early Twentieth-Century Russia 147
  17. Reforming the Museum – A Supranational Project
  18. Art Beyond the Nation A European Vision for the National Gallery 165
  19. The Journal Museumskunde – “Another Link between the Museums of the World” 179
  20. Between Museumsinsel and Manhattan. Wilhelm R. Valentiner, Ambassador and Agent of Wilhelm von Bode at the Metropolitan Museum, 1908–1914 191
  21. The German Museum Curators and the International Museums Office, 1926–1937 205
  22. Museums as Transnational Sites for National Identities
  23. Building on the London 1881 Pretext 221
  24. Museum as a Transnational Space for National Identities. A Case Study on the Turkish Experience 233
  25. French Art for All! Museum Projects in Africa 1912–1931 between Avant-garde and Colonialism 245
  26. Illustration credits 259
  27. Index 261
  28. Acknowledgements 266
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