Adaptation and Cultural Appropriation
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Edited by:
Pascal Nicklas
and Oliver Lindner
About this book
“Hamlet” by Olivier, Kaurismäki or Shepard and “Pride and Prejudice” in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts.
Author / Editor information
Pascal Nicklas, Berlin; Oliver Lindner, University of Bayreuth, Germany.
Supplementary Materials
Topics
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Pascal Nicklas and Oliver Lindner Requires Authentication Unlicensed Licensed |
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Rainer Emig Requires Authentication Unlicensed Licensed |
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Deborah Cartmell Requires Authentication Unlicensed Licensed |
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Eckart Voigts-Virchow Requires Authentication Unlicensed Licensed |
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Simone Murray Requires Authentication Unlicensed Licensed |
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Monika Pietrzak-Franger Requires Authentication Unlicensed Licensed |
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Peter Childs Requires Authentication Unlicensed Licensed |
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Norbert Schaffeld Requires Authentication Unlicensed Licensed |
101 |
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Oliver Lindner Requires Authentication Unlicensed Licensed |
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Richard J. Hand Requires Authentication Unlicensed Licensed |
132 |
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Kamilla Elliott Requires Authentication Unlicensed Licensed |
145 |
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Lindiwe Dovey Requires Authentication Unlicensed Licensed |
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Lucia Krämer Requires Authentication Unlicensed Licensed |
186 |
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Eckhard Breitinger Requires Authentication Unlicensed Licensed |
203 |
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Christiane Schlote Requires Authentication Unlicensed Licensed |
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