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Contents
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Kapitel in diesem Buch
- Frontmatter I
- Contents V
- Introduction 1
- Homonymy, Polysemy and Synonymy: Reflections on the Notion of Voice 13
- ‘Alternate Strains are to the Muses Dear’: The Oddness of Genette’s Voice in Narrative Discourse 37
- Fictional Voices? Strange Voices? Unnatural Voices? 55
- Significant Deviations: Strange Uses of Voice are One among other Means of Meaning Making 83
- How Strange Are the “Strange Voices” of Fiction? 101
- Theorizing Second-Person Narratives: A Backwater Project? 147
- Toward a Typology of Virtual Narrative Voices 175
- Masters of Interiority. Figural Voices as Discursive Appropriators and as Loopholes in Narrative Communication 191
- The Fifth Mode of Representation: Ambiguous Voices in Unreliable Third-Person Narration 219
- Unnatural Voices in Ulysses: Joyce’s Postmodern Modes of Narration 253
- Index 265
Kapitel in diesem Buch
- Frontmatter I
- Contents V
- Introduction 1
- Homonymy, Polysemy and Synonymy: Reflections on the Notion of Voice 13
- ‘Alternate Strains are to the Muses Dear’: The Oddness of Genette’s Voice in Narrative Discourse 37
- Fictional Voices? Strange Voices? Unnatural Voices? 55
- Significant Deviations: Strange Uses of Voice are One among other Means of Meaning Making 83
- How Strange Are the “Strange Voices” of Fiction? 101
- Theorizing Second-Person Narratives: A Backwater Project? 147
- Toward a Typology of Virtual Narrative Voices 175
- Masters of Interiority. Figural Voices as Discursive Appropriators and as Loopholes in Narrative Communication 191
- The Fifth Mode of Representation: Ambiguous Voices in Unreliable Third-Person Narration 219
- Unnatural Voices in Ulysses: Joyce’s Postmodern Modes of Narration 253
- Index 265
