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November 25, 2011
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Articles in the same Issue
- Frontmatter
- Contents / Inhalt
- Thirty Times ‘More Fair than Black’: Othello Re-Translation as Political Re-Statement
- Schillers Räuber und die shakespearische Tragödie
- “A Genuinely Funny German Farce” Turns into a Very Irish Play: The Broken Jug (1994), John Banville’s Adaptation of Heinrich von Kleist’s Der zerbrochne Krug (1807)
- Viel Lärm um Theodor Lessing
- Gemilderte Wirklichkeit. Stefan Zweigs Feuilleton Hydepark und die Großstadtliteratur
- Ins Abenteuer. Joseph Conrad und die Schweizer Gegenwartsliteratur
- The Capitalist Uncanny in Kathrin Röggla’s wir schlafen nicht: Ghosts in the Machine
- The Interpersonal is Political: Locating the Ethical Subject in Katharina Hacker’s Die Habenichtse
- Reviews / Rezensionen
Articles in the same Issue
- Frontmatter
- Contents / Inhalt
- Thirty Times ‘More Fair than Black’: Othello Re-Translation as Political Re-Statement
- Schillers Räuber und die shakespearische Tragödie
- “A Genuinely Funny German Farce” Turns into a Very Irish Play: The Broken Jug (1994), John Banville’s Adaptation of Heinrich von Kleist’s Der zerbrochne Krug (1807)
- Viel Lärm um Theodor Lessing
- Gemilderte Wirklichkeit. Stefan Zweigs Feuilleton Hydepark und die Großstadtliteratur
- Ins Abenteuer. Joseph Conrad und die Schweizer Gegenwartsliteratur
- The Capitalist Uncanny in Kathrin Röggla’s wir schlafen nicht: Ghosts in the Machine
- The Interpersonal is Political: Locating the Ethical Subject in Katharina Hacker’s Die Habenichtse
- Reviews / Rezensionen
