Between Attraction and Story: Rethinking Narrativity in Cinema

Chapters in this book

1. Frontmatter I
2. Contents VII
3. Introduction: Narratology and Interdisciplinarity 1
4. Narratology and Hermeneutics: Forging the Missing Link 11
5. Narratological Expansionism and Its Discontents 35
6. Surveying Contextualist and Cultural Narratologies: Towards an Outline of Approaches, Concepts and Potentials 48
7. Narrative Ways of Worldmaking 71
8. Making Narrative Worlds: A Cross-Disciplinary Approach to Literary Storytelling 88
9. The Cage Metaphor: Extending Narratology into Corpus Studies and Opening it to the Analysis of Imagery 109
10. The Multimodal Novel. The Integration of Modes and Media in Novelistic Narration 129
11. Between Attraction and Story: Rethinking Narrativity in Cinema 154
12. Seeing or Speaking: Visual Narratology and Focalization, Literature to Film 170
13. The Role of Narratology in Narrative Research across the Disciplines 193
14. Narratology and Cultural Memory Studies 212
15. A “Natural” Reading of Historiographical Texts: George III at Kew 228
16. Sounds Like a Story: Narrative Travelling from Literature to Music and Beyond 245
17. Theology and Narration: Reflections on the “Narrative Theology”-Debate and Beyond 262
18. Toward a New Interdisciplinarity: Integrating Psychological and Humanities Approaches to Narrative 287