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Perspective/Point of View
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Burkhard Niederhoff
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Chapters in this book
- Frontmatter SI
- Contents V
- Preface IX
- Author 1
- Character 14
- Cognitive Narratology 30
- Coherence 44
- Conversational Narration/Oral Narration 63
- Dialogism 74
- Event and Eventfulness 80
- Fictional vs. Factual Narration 98
- Focalization 115
- Heteroglossia 124
- Identity and Narration 132
- Illusion (Aesthetic) 144
- Implied Author 161
- Mediacy and Narrative Mediation 174
- Metalepsis 190
- Metanarration and Metafiction 204
- Narration in Film 212
- Narration in Poetry and Drama 228
- Narration in Various Disciplines 242
- Narration in Various Media 263
- Narrative Constitution 282
- Narrative Levels 295
- Narrativity 309
- Narratology 329
- Narrator 351
- Performativity 370
- Perspective/Point of View 384
- Reader 398
- Schemata 411
- Space 420
- Speech Representation 434
- Tellability 447
- Backmatter 455
Chapters in this book
- Frontmatter SI
- Contents V
- Preface IX
- Author 1
- Character 14
- Cognitive Narratology 30
- Coherence 44
- Conversational Narration/Oral Narration 63
- Dialogism 74
- Event and Eventfulness 80
- Fictional vs. Factual Narration 98
- Focalization 115
- Heteroglossia 124
- Identity and Narration 132
- Illusion (Aesthetic) 144
- Implied Author 161
- Mediacy and Narrative Mediation 174
- Metalepsis 190
- Metanarration and Metafiction 204
- Narration in Film 212
- Narration in Poetry and Drama 228
- Narration in Various Disciplines 242
- Narration in Various Media 263
- Narrative Constitution 282
- Narrative Levels 295
- Narrativity 309
- Narratology 329
- Narrator 351
- Performativity 370
- Perspective/Point of View 384
- Reader 398
- Schemata 411
- Space 420
- Speech Representation 434
- Tellability 447
- Backmatter 455