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The Operatic Stage as an Experimental Space for Affections: About the Concepts of Affections Asserted by Athanasius Kircher and Claudio Monteverdi

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Kapitel in diesem Buch

  1. Frontmatter I
  2. Contents VII
  3. Space: The Final Frontier 1
  4. Kunstkammer – Laboratory – Theater in the ‘Theatrum Europaeum’: On the Transformation of Performative Space in the 17th Century 9
  5. The Virtual Laboratory: Thought Experiments in Seventeenth-Century Mechanics 35
  6. The Point: The Smallest Venue of Knowledge in the 17th Century (1585-1665) 57
  7. Anatomical Theatre as Experimental Space 75
  8. Scenes of Writing: The Florentine Uffizi as Kunstkammer, Laboratory, and Stage 103
  9. “Mentalmente architettato” – Thoughts in Physical Form: Immutable or Dynamic? The Case of the Library 122
  10. The Operatic Stage as an Experimental Space for Affections: About the Concepts of Affections Asserted by Athanasius Kircher and Claudio Monteverdi 146
  11. The Cartography of Emotions: Power, Play, and the Politics of Love in 17th Century France 162
  12. Universality and Territoriality: On the Architectonic of Academic Social Life Exemplified by the Brandenburg Universität der Völker, Wissenschaften und Künste (1666/67) 176
  13. The Known and Unknown Kunstkammer of Rudolf II 199
  14. Collections and the Surface of the Image: Pictorial Strategies in Early-Modern Wunderkammern 228
  15. Kunstkammer, Play-Palace, Shadow Theatre: Three Thought Loci by Gottfried Wilhelm Leibniz 266
  16. On the Representation of Knowledge in Athanasius Kircher 283
  17. Pythagorean Musical Theater: Space, Time, and Numerical Speculation in the Ancient Metaphysical Fashion 303
  18. Eucharist and Experiment: Spaces of Certainty in the 17th Century 316
  19. Artificial Intensity: Images, Instruments, and the Technology of Amplification 338
  20. The Metaphysics of Phenomena: Telescope and Microscope in the Works of Goethe, Leeuwenhoek and Hooke 355
  21. The Sixteenth-Century Mexican Missionary Convent as “Theatre of Conversion” 394
  22. Theaters of War: The Military-Entertainment Complex 427
  23. Science in its Social Space 457
  24. The Adventurous Relationship between Physics and Geometry: Newton’s Space Viewed by Present-Day Physics 467
  25. Material Culture, Theoretical Culture, and Delocalization 490
  26. World-Picture and World-Theater: Wonder, Vision, Knowledge 507
  27. Backmatter 527
Heruntergeladen am 25.4.2026 von https://www.degruyterbrill.com/document/doi/10.1515/9783110201550.146/html?lang=de
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