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Joanna, George, and Henry
A Pre-Raphaelite Tale of Art, Love and Friendship
Language:
English
Published/Copyright:
2012
About this book
Biography of three artists closely associated with the Pre-Raphaelites whose letters give a vivid insight into the dramas of their personal life.
Joanna, George and Henry tells the story of the intertwined lives of three young artists in the 1850s. When the transcript of the material on which this group portrait is based came to light ten years ago, no one could haveimagined the drama within. They were family letters: letters from a young woman to her brother and later to her suitor - of interest chiefly because all three were painters, and all were active participants in the youthful Pre-Raphaelite revolution that swept England in the 1850s. They turned out to be a revelation - giving not only a comprehensive picture of what it was like to be an artist in the mid-19th century, but containing within them a powerful family drama and a most unusual love story. It is a love story, moreover, told largely from a woman's point of view.
Joanna Boyce's dedication to her art was absolute: she studied in Paris under Thomas Couture and had her first painting exhibited at the Academy when she was only 24. She was headstrong, self-critical, opinionated and teasing - "an artist with her pen as well as her brush". She died tragically young.
Between them, Joanna, her brother George and suitor Henry Wells knew all the artistic luminaries of the day, among them Ruskin, Millais and Rossetti (with whom George shared a great deal, including mistresses). They wrote to each other not just about art, butabout their friends, their favourite books, their travels, their illnesses, their passions and their quarrels. In this book, they tell their story in their own vivid words - a story which portrays the age in which they lived andthe powerful drama of their emotional and professional lives.
Sue Bradbury taught in Spain for three years before joining The Folio Society in 1973. She became Editorial Director in 1984, a post she held for twenty-fiveyears. Her own publications include translations of Three Tragedies by Federico Garcia Lorca, a novel, Midnight Madonna, set in the Spanish Civil War, and a four-volume history of the world in contemporary accounts - Eyewitness to History - with Robert Fox. She was awarded the OBE in 2010.
Joanna, George and Henry tells the story of the intertwined lives of three young artists in the 1850s. When the transcript of the material on which this group portrait is based came to light ten years ago, no one could haveimagined the drama within. They were family letters: letters from a young woman to her brother and later to her suitor - of interest chiefly because all three were painters, and all were active participants in the youthful Pre-Raphaelite revolution that swept England in the 1850s. They turned out to be a revelation - giving not only a comprehensive picture of what it was like to be an artist in the mid-19th century, but containing within them a powerful family drama and a most unusual love story. It is a love story, moreover, told largely from a woman's point of view.
Joanna Boyce's dedication to her art was absolute: she studied in Paris under Thomas Couture and had her first painting exhibited at the Academy when she was only 24. She was headstrong, self-critical, opinionated and teasing - "an artist with her pen as well as her brush". She died tragically young.
Between them, Joanna, her brother George and suitor Henry Wells knew all the artistic luminaries of the day, among them Ruskin, Millais and Rossetti (with whom George shared a great deal, including mistresses). They wrote to each other not just about art, butabout their friends, their favourite books, their travels, their illnesses, their passions and their quarrels. In this book, they tell their story in their own vivid words - a story which portrays the age in which they lived andthe powerful drama of their emotional and professional lives.
Sue Bradbury taught in Spain for three years before joining The Folio Society in 1973. She became Editorial Director in 1984, a post she held for twenty-fiveyears. Her own publications include translations of Three Tragedies by Federico Garcia Lorca, a novel, Midnight Madonna, set in the Spanish Civil War, and a four-volume history of the world in contemporary accounts - Eyewitness to History - with Robert Fox. She was awarded the OBE in 2010.
Topics
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Frontmatter
i -
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Contents
v -
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Dedication
vi -
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Acknowledgements
vii -
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List of Plates and Illustrations
ix -
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Black and White Illustrations
xiii -
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Introduction
1 -
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1. Artists in the Family
19 -
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2. Refuge in Work
47 -
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3. A Faltering Romance
74 -
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4. Joanna in Paris
101 -
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5. Mamma’s Tyranny
121 -
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6. Leaving Home
144 -
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7. Limbo
160 -
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8. Sloping to Italy
187 -
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9. Man and Wife
216 -
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10. The Greatest Happiness on Earth
242 -
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Afterwards
273 -
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Select Bibliography
293 -
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Index
295
Publishing information
Pages and Images/Illustrations in book
eBook published on:
January 30, 2024
eBook ISBN:
9781846159367
Original publisher:
Boydell Press
Pages and Images/Illustrations in book
eBook ISBN:
9781846159367
Keywords for this book
Pre-Raphaelite artists; 1850s; Joanna Boyce; George; Henry Wells; art revolution; Ruskin; Millais; Rossetti; art world; family letters; art story; Sue Bradbury
Audience(s) for this book
For an expert adult audience, including professional development and academic research