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Essays on the History of English Music in Honour of John Caldwell
Sources, Style, Performance, Historiography
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Edited by:
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With contributions by:
Language:
English
Published/Copyright:
2010
About this book
Articles on English music, from the medieval period to the present day, centred on four of the major areas of scholarly enquiry.
The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography.
Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW.
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The major themes of the essays in this collection reflect the work of the distinguished scholar John Caldwell, professor of music at Oxford University and a composer in his own right. There is a strong focus on early music, with contributions considering the medieval carol, sources for seventeenth- and eighteenth-century harpsichord music, and the transmission of fifteenth-century English music to the Continent; but they range right up to the twentieth century, with an examination of music in Oxford. All are concerned in one way or another with themes which recur in Professor Caldwell's scholarship: sources; style; performance; and historiography.
Contributors: SALLY HARPER, DAVID HILEY, EMMA HORNBY, HARRY JOHNSTONE, MARGARET BENT, DAVID MAW, MATTHIAS RANGE, REINHARD STROHM, PETER WRIGHT, MAGNUS WILLIAMSON, JOHN HARPER, SIMON MCVEIGH, CHRISTOPHER PAGE, OWEN REES, SUSAN WOLLENBERG, JOHN ARTHUR SMITH, BENNETT ZON, DAVID MAW.
To subscribe to the Tabula Gratulatoria for this volume, CLICK HERE
Author / Editor information
Contributor: Margaret Bent
MARGARET BENT is an Emeritus Fellow of All Souls College, Oxford.
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Contributor: Simon McVeigh
SIMON McVEIGH is Emeritus Professor of Music, Goldsmiths, University of London and a Past President of the Royal Musical Association.
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Contributor: Susan Wollenberg
SUSAN WOLLENBERG is Emeritus Professor of Music, University of Oxford, as well as Emeritus Fellow of Lady Margaret Hall.
Topics
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Frontmatter
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Contents
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Acknowledgements
vii -
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Contributors
viii -
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Abbreviations and Library sigla
xi -
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Introduction
xiii - Sources
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Traces of Lost Late Medieval Offices? The Sanctilogium Angliae, Walliae, Scotiae, et Hiberniae of John of Tynemouth ( fl.1350)
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The Saints Venerated in Medieval Peterborough as Reflected in the Antiphoner Cambridge, Magdalene College, f.4.10
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Interactions between Brittany and Christ Church, Canterbury in the Tenth Century: The Linenthal leaf
47 -
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A New Source of Late Seventeenth- and Early Eighteenth-Century English Harpsichord Music by Barrett, Blow, Clarke, Croft, Purcell and Others
66 - Style
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The Earliest Fifteenth-Century Transmission of English Music to the Continent
83 -
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‘Phantasy mania’: Quest for a National Style
97 -
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Purcell’s 1694 Te Deum and Jubilate: Its Successors, and Its Performance History
122 -
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Imitative Counterpoint in Mid-Fifteenth-Century English Mass Settings
143 -
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Double cantus firmus Compositions in the Eton Choirbook
162 -
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Englishness in a Kyrie (Mis)attributed to Du Fay
185 - Performance
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Continuity, Discontinuity, Fragments and Connections: The Organ in Church, c. 1500–1640
215 -
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‘As the sand on the sea shore’: Women Violinists in London’s Concert Life around 1900
232 -
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The Carol in Anglo-Saxon Canterbury?
259 -
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Luisa de Carvajal y Mendoza and Music in an English Catholic House in 1605
270 -
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Music in Oxford, 1945–1960: The Years of Change
281 - Historiography
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Three Anglican Church Historians on Liturgy and Psalmody in the Ancient Synagogue and the Early Church
298 -
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Histories of British Music and the Land Without Music: National Identity and the Idea of the Hero
311 - Epilogue
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John Caldwell (b 1938): Scholar, Composer, Teacher, Musician
325 -
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Index
335 -
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Tabula Gratulatoria
347
Publishing information
Pages and Images/Illustrations in book
eBook published on:
January 17, 2024
eBook ISBN:
9781846158018
Original publisher:
Boydell Press
Pages and Images/Illustrations in book
eBook ISBN:
9781846158018
Keywords for this book
English music; medieval period; medieval carol; seventeenth- and eighteenth-century harpsichord music; fifteenth-century English music; Oxford University; sources; style; performance; historiography
Audience(s) for this book
For an expert adult audience, including professional development and academic research
