Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. List of Illustrations viii
4. Acknowledgements ix
5. Introduction 1
6. PART I At the Onset: Super-Powers, the Struggle for Europe, the Extension of the Conflict
7. Chapter 1. The Burden of Winning: American Cinematographic Policy in Italy in the Years of the Allied Military Administration (1943–1945) 21
8. CHAPTER 2 The Struggle to Save Progressive Unions 37
9. CHAPTER 3 A ‘Trojan Horse in the Enemy Camp’ 54
10. CHAPTER 4 An Impossible Cinematic Hegemony 67
11. CHAPTER 5 Soviet Cinematic Diplomacy from New York to Beijing, 1949 83
12. PART II Film Diplomacy: Non-Aligned Countries, Decolonisation and New Opportunities
13. Chapter 6. The Rise and Fall of Sino-Soviet Film Festival Diplomacy (1957–1966) 99
14. CHAPTER 7 Making Ground for Film Export 116
15. CHAPTER 8 The Film Market at the Time of Independence 132
16. CHAPTER 9 The Troubles of Non-Alignment 147
17. CHAPTER 10 From Anti-communism to Third-Worldism 162
18. PART III From Rising Suns to a Slow Sunset: Cooperation, Disillusionment and Transfers
19. Chapter 11. Cold War and Film Festivals in the Aftermath of 1968 179
20. CHAPTER 12 To Catch Up and Overtake . . . Europe 201
21. CHAPTER 13 Missed Opportunities and Unexpected Success 216
22. CHAPTER 14 The Chilean Cultural Project during Unidad Popular (1970–1973) 231
23. CHAPTER 15 ‘Ideological Threat of Italian Movies’ 245
24. CONCLUSION Close Encounters around the World 258
25. Filmography 267
26. Index 273