Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. ILLUSTRATIONS vii
4. ACKNOWLEDGMENTS ix
5. Introduction PHOTOGRAPHS AS RUPTURE AND AFFECT IN GERMAN FILM 1
6. Chapter 1 LAYERS OF EXPOSURE The Photographic Approach in Gerhart Lamprecht’s Zille Film Slums of Berlin (1925) 19
7. Chapter 2 OBJECTING OBJECTS Photographs and Subjectivity in The Blue Angel (1930) 37
8. Chapter 3 BEFORE- AND AFTERLIVES On the Stillness of Photographs at the Outset of Adenauer Cinema 56
9. Chapter 4 FILMING AFTER WALKER EVANS Wim Wenders’ “American Photographs” in Kings of the Road (1976) 76
10. Chapter 5 THE TRANSGRESSION OF OVERPAINTING Jürgen Böttcher’s Radical Experiments with Intermediality in Transformations (1981) 101
11. Chapter 6 THE PROMISE OF AGENCY Photographs and Value in Tattoo (2002) 122
12. Chapter 7 CURATING THE IMAGE Visual Intertextuality in The Baader Meinhof Complex (2008) 139
13. Chapter 8 RE-PRESENTING GERMAN HERITAGE FILMS Photographic Memory in Aimée & Jaguar (1999), Good Bye, Lenin! (2003), and Almanya: Welcome to Germany (2011) 156
14. Chapter 9 IMAGING THE “GOOD LIFE” Destabilizing Subjecthood and Conceptions of the Normative Family in Ghosts (2005) 174
15. Chapter 10 VIOLENCE, DEATH, AND PHOTOGRAPHS Capturing the (Un)Dead in Rammbock (2010) 193
16. Chapter 11 POSSIBLE ARCHIVES Encountering a Surveillance Photo in Karl Marx City (2016) 210
17. Afterword TOWARD A CAMERA LUDICA Agency and Photography in Videogame Ecologies 231
18. INDEX 239