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Orchestral Masterpieces under the Microscope
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Jonathan Del Mar
Language:
English
Published/Copyright:
2023
About this book
WINNER: International Association of Music Libraries, UK & Ireland (IAML UK & Irl) C.B. Oldman Award
For an outstanding work of music bibliography, music reference or music librarianship
A must-have for any conductor, conducting student and orchestral librarian.
How does a conductor know whether the score they use is what the composer wrote? How do orchestral players know that their parts are reliable and reflect the latest scholarship? As Jonathan Del Mar reminds us in this ground-breaking book, editions of the orchestral repertoire are beset by textual problems: simple misprints, mistakes in the score or player's part, or hopelessly outdated scores at odds with current scholarship.
Driven by a fundamental respect for what the composer actually wrote, Jonathan Del Mar addresses these problems through textual reports on over 100 orchestral masterpieces of classical music. Each report is introduced with essential guidance and succinct commentary on the first performance and publication of the work. Critical editions are compared with commonly used editions, and in those cases where no Urtext Edition exists, this much-needed reference work functions as a replacement for an Urtext Edition.
Orchestral Masterpieces under the Microscope will be an indispensable reference tool for all who care about performances honouring the correct text that composers have left us. It serves as an essential survival guide for conductors and musicians to make informed choices, and it offers much-needed clarity on the latest scholarship for musicologists and music librarians alike.
For an outstanding work of music bibliography, music reference or music librarianship
A must-have for any conductor, conducting student and orchestral librarian.
How does a conductor know whether the score they use is what the composer wrote? How do orchestral players know that their parts are reliable and reflect the latest scholarship? As Jonathan Del Mar reminds us in this ground-breaking book, editions of the orchestral repertoire are beset by textual problems: simple misprints, mistakes in the score or player's part, or hopelessly outdated scores at odds with current scholarship.
Driven by a fundamental respect for what the composer actually wrote, Jonathan Del Mar addresses these problems through textual reports on over 100 orchestral masterpieces of classical music. Each report is introduced with essential guidance and succinct commentary on the first performance and publication of the work. Critical editions are compared with commonly used editions, and in those cases where no Urtext Edition exists, this much-needed reference work functions as a replacement for an Urtext Edition.
Orchestral Masterpieces under the Microscope will be an indispensable reference tool for all who care about performances honouring the correct text that composers have left us. It serves as an essential survival guide for conductors and musicians to make informed choices, and it offers much-needed clarity on the latest scholarship for musicologists and music librarians alike.
Author / Editor information
Contributor: Jonathan Del Mar
JONATHAN DEL MAR is a conductor and musicologist. His Beethoven editions are published by Bärenreiter and performed by orchestras and ensembles worldwide.
Reviews
It's an essential resource for conductors and performers who want to engage with repertoire not just interpretively, but textually. It is not just for those editing scores or leading orchestras-it's for any musician who wants to read more deeply into what the composer might have intended, and what may have gotten lost along the way.
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Belongs in any library that is in an institution supporting a symphony orchestra.
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This book is probably unique in its detail and coverage of the most important composers in Western classical music and will help veteran and student musicians alike.
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His book is an indispensable reference for all musicians.
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Decision making is at the heart of conducting,and in almost every major piece we work on there are a wealth of problems and conundrums to solve. Short of telephoning the composer ourselves,an option rarely available,we all need assistance. What did the composer REALLY write, and what exactly does it mean? Jonathan Del Mar has characteristically cut to the chase by compiling this treasure trove of answers to so many of those thorny questions. This book is beyond valuable: it will doubtless be on every conductor's bookshelf and countless scholars as well. Bravo!!
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Jonathan Del Mar is the outstanding music editor of our time. His book will be invaluable to all conductors as well as of great interest to other musicians and scholars.
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At last our orchestral prayers will be answered!
Topics
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Frontmatter
i -
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Contents
v -
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Preface
ix -
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Editorial Conventions
xvi -
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Beethoven Symphonies: some supplementary remarks
9 -
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Berlioz Symphonie fantastique
37 -
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Bloch Schelomo: Hebraic Rhapsody for Cello and Orchestra
49 -
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Brahms Four Symphonies
53 -
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Bruch Violin Concerto No.1 in G minor, op.26
79 -
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Busoni Piano Concerto, op.39
94 -
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Debussy Prélude à l’après-midi d’un faune
97 -
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Dvořák Scherzo capriccioso, op.66
121 -
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Elgar Variations on an Original Theme (‘Enigma’), op.36
152 -
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Fauré Fantaisie for Flute, orch. Louis Aubert
238 -
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Franck Symphony in D minor
242 -
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Haydn Symphonies with High Horns
252 -
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Liszt Piano Concerto No.1 in E flat
271 -
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Mahler Symphony No.2 in C minor
278 -
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Martinů Rhapsody-Concerto for Viola and Orchestra
282 -
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Mendelssohn Symphony No.3 in A minor, op.56 (‘Scottish’)
285 -
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Mozart Piano Concertos
308 -
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Mussorgsky, orch. Ravel Pictures from an Exhibition
317 -
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Nielsen Sinfonia espansiva (Symphony No.3)
332 -
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Prokofiev Classical Symphony (Symphony No.1, op.25)
339 -
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Rachmaninov Symphony No.2 in E minor, op.27
355 -
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Ravel Piano Concerto
371 -
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Respighi Fontane di Roma
385 -
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Rimsky-Korsakov Symphonic Suite: Scheherazade, op.35
387 -
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Rossini Overture William Tell
394 -
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Saint-Saëns Symphony No.3 in C minor, op.78
398 -
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Schubert Overture Die Zauberharfe, D.644 (‘Rosamunde’)
416 -
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Schumann Symphony No.4 in D minor, op.120
421 -
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Shostakovich Cello Concerto No.1 in E flat, op.107
436 -
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Sibelius Symphony No.2 in D, op.43
440 -
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Smetana Má Vlast: 2. Vltava
540 -
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Strauss Ein Heldenleben, op.40
552 -
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Tchaikovsky Symphony No.2 in C minor, op.17
597 -
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Tippett Symphony No.2 in C
658 -
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Vaughan Williams A London Symphony (Symphony No.2)
666 -
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Wagner Prelude Die Meistersinger von Nürnberg
683 -
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Walton Cello Concerto
686 -
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Weber Overture Der Beherrscher der Geister
689 -
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Bibliography
713
Publishing information
Pages and Images/Illustrations in book
eBook published on:
January 11, 2024
eBook ISBN:
9781800106611
Original publisher:
Boydell Press
Pages and Images/Illustrations in book
eBook ISBN:
9781800106611
Keywords for this book
Conductor; Conducting Student; Orchestral Librarian; Orchestral Repertoire; Classical Music; Urtext Edition; Musicologists; Composer; Orchestral Players; Reference Work
Audience(s) for this book
For an expert adult audience, including professional development and academic research