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book: British Music, Musicians and Institutions, c. 1630-1800
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British Music, Musicians and Institutions, c. 1630-1800

Essays in Honour of Harry Diack Johnstone
  • Peter Lynan and Julian Rushton
  • With contributions by: Olive Baldwin , Donald Burrows , Olive Baldwin , Donald Burrows , John Caldwell and Kelly Domoney
Language: English
Published/Copyright: 2021
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About this book

Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions.

British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.

Author / Editor information

Contributor: Peter Lynan PETER LYNAN is General Editor of Musica Britannica. --- Contributor: Julian Rushton JULIAN RUSHTON is Emeritus Professor of Music, University of Leeds, UK. --- Contributor: Donald Burrows Donald Burrows is Professor of Music at the Open University and a leading scholar of the music of George Frideric Handel.


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Peter Lynan and Julian Rushton
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Part I. Performers and Performance Style

Peter Holman
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Simon McVeigh
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Michael Talbot
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Peter Lynan
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Part II. Composers and Secular Institutions

Olive Baldwin and Thelma Wilson
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Alan Howard
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Susan Wollenberg
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Simon Heighes
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Part III. Sacred Music and Institutions

Tony Trowles
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John Caldwell
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Jonathan P. Wainwright
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Part IV. Dissemination: Copying, Printing, and Publishing

Donald Burrows
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Peter Ward Jones and Kelly Domoney
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240

Julian Rushton
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
January 30, 2024
eBook ISBN:
9781800103511
Original publisher:
Boydell Press
Pages and Images/Illustrations in book
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