Introduction

Allyson Fiddler

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Introduction

Allyson Fiddler

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This chapter is in the book The Art of Resistance

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Fiddler, Allyson. "Introduction". The Art of Resistance: Cultural Protest against the Austrian Far Right in the Early Twenty-First Century, New York, Oxford: Berghahn Books, 2018, pp. 1-10. https://doi.org/10.1515/9781789200478-002

Fiddler, A. (2018). Introduction. In The Art of Resistance: Cultural Protest against the Austrian Far Right in the Early Twenty-First Century (pp. 1-10). New York, Oxford: Berghahn Books. https://doi.org/10.1515/9781789200478-002

Fiddler, A. 2018. Introduction. The Art of Resistance: Cultural Protest against the Austrian Far Right in the Early Twenty-First Century. New York, Oxford: Berghahn Books, pp. 1-10. https://doi.org/10.1515/9781789200478-002

Fiddler, Allyson. "Introduction" In The Art of Resistance: Cultural Protest against the Austrian Far Right in the Early Twenty-First Century, 1-10. New York, Oxford: Berghahn Books, 2018. https://doi.org/10.1515/9781789200478-002

Fiddler A. Introduction. In: The Art of Resistance: Cultural Protest against the Austrian Far Right in the Early Twenty-First Century. New York, Oxford: Berghahn Books; 2018. p.1-10. https://doi.org/10.1515/9781789200478-002

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Chapters in this book

Frontmatter i
Contents vii
Acknowledgements viii
Introduction 1
1. Austria Gets the ‘Blues’: Setting the Scene for Protest 11
2. Performing Politics: On the Sounds, Symbols and Sites of Resistance 29
3. Novel Responses: Protest in Prose 65
4. Projecting Protest: Resistance on Screen 109
5. Staging Resistance: Dramatic Themes and Interventions 142
Conclusion. The Colours of 2016 and 2017: Green, Blue . . . Turquoise 184
References 193
Index 207

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https://doi.org/10.1515/9781789200478-002

Chapters in this book

Frontmatter i
Contents vii
Acknowledgements viii
Introduction 1
1. Austria Gets the ‘Blues’: Setting the Scene for Protest 11
2. Performing Politics: On the Sounds, Symbols and Sites of Resistance 29
3. Novel Responses: Protest in Prose 65
4. Projecting Protest: Resistance on Screen 109
5. Staging Resistance: Dramatic Themes and Interventions 142
Conclusion. The Colours of 2016 and 2017: Green, Blue . . . Turquoise 184
References 193
Index 207

Introduction

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Chapters in this book

Chapters in this book