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Introduction: German in Its Worlds

  • James Hodkinson and Benedict Schofield
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German in the World
This chapter is in the book German in the World
© 2020, Boydell and Brewer

© 2020, Boydell and Brewer

Chapters in this book

  1. Frontmatter i
  2. Contents iii
  3. Acknowledgments v
  4. Introduction: German in Its Worlds 1
  5. Part I. The World in German Culture
  6. Introduction to Part I: The World in German Culture 17
  7. 1: Goethe’s World 22
  8. 2: Embodying and Distributing World Literature: Goethe’s Novelle in the Context of the 1820s 34
  9. 3: Weltdeutschtum: On the Notion of a German World Community from Schiller to Thomas Mann 58
  10. 4: Nineteenth-Century German Travelers to Wales: Text, Translation, and the Manipulation of Identity 74
  11. 5: “Weltliteratur aus der Uckermark”: Regionalism and Transnationalism in Saša Stanišić’s Vor dem Fest 91
  12. 6: Postcolonial Studies in International German Studies: Postcolonial Concerns in Contemporary German Literature 109
  13. Part II. German in World Locales
  14. Introduction to Part II: German in World Locales 135
  15. 7: German in a South African Context: From Colony to Decolonization 138
  16. 8: From German Studies to Environmental Humanities (and Back Again): A Journey across Continents and Disciplines 155
  17. 9: A Philo-Selfie Approach to German-Indian Studies 170
  18. Part III. German Worlds beyond the Academy
  19. Introduction to Part III: German Worlds beyond the Academy 191
  20. 10: Towards a Socially Engaged Academy: Islam in German History and Its Relevance for Nonacademic Publics 194
  21. 11: Theater without Borders? Tracing the Transnational Value of German Theater beyond Germany: A UK Case Study 219
  22. 12: Tuning in to Germany: The BBC German Service and the British Occupation 239
  23. 13: Reterritorializing German Pop: Kraftwerk’s Industrielle Volksmusik as a Transnational Phenomenon 257
  24. Notes on the Contributors 281
  25. Index 285
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