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A Critique of Poor Reading: Antissia’s Madness in The Countess of Montgomery’s Urania
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Rachel M. De Smith Roberts
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Chapters in this book
- Frontmatter i
- Contents v
- “One Little Room, An Everywhere”: Staging Silence in London’s Blackfriars and Shakespeare’s Henry VIII 1
- “What they are yet I know not”: Speech, Silence, and Meaning in King Lear 13
- Shakespearean Epiphany 31
- Between the “triple pillar” and “mutual pair”: Love, Friendship, and Social Networks in Antony and Cleopatra 43
- “Beauty Changed to Ugly Whoredom”: Analyzing the Mermaid Figure in The Changeling 55
- Imagining the Other in a Cuzco Defense of the Eucharist 67
- A Critique of Poor Reading: Antissia’s Madness in The Countess of Montgomery’s Urania 93
- “Thou thyself likewise art lyttle made”: Spenser, Catullus, and the Aesthetics of “smale poemes” 105
- The ordo salutis: Sacred Circularities in John Donne’s “Good Friday 1613. Riding Westward” 121
- “Broken-Backed” Texts: Meritocracy and Misogyny in Ben Jonson’s The Forrest 131
Chapters in this book
- Frontmatter i
- Contents v
- “One Little Room, An Everywhere”: Staging Silence in London’s Blackfriars and Shakespeare’s Henry VIII 1
- “What they are yet I know not”: Speech, Silence, and Meaning in King Lear 13
- Shakespearean Epiphany 31
- Between the “triple pillar” and “mutual pair”: Love, Friendship, and Social Networks in Antony and Cleopatra 43
- “Beauty Changed to Ugly Whoredom”: Analyzing the Mermaid Figure in The Changeling 55
- Imagining the Other in a Cuzco Defense of the Eucharist 67
- A Critique of Poor Reading: Antissia’s Madness in The Countess of Montgomery’s Urania 93
- “Thou thyself likewise art lyttle made”: Spenser, Catullus, and the Aesthetics of “smale poemes” 105
- The ordo salutis: Sacred Circularities in John Donne’s “Good Friday 1613. Riding Westward” 121
- “Broken-Backed” Texts: Meritocracy and Misogyny in Ben Jonson’s The Forrest 131
