Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. Introduction: Music and/as Politics in the German Context 1
5. Part I. Appropriations and Misappropriations
6. Martin Luther in Nineteenth-Century Music, Literature, and Politics 19
7. The 1848 Revolutionary Lyrics of Hoffmann von Fallersleben, Herwegh, and Freiligrath in the German Folk Song Movement 35
8. “Der Kampf geht weiter”: The Politics of Cover Versions in German Punk Rock 55
9. Son of Kraut and an Old Herero? The Politics of German Pop Musical Memory around 1990 71
10. Part II. The Political Gesamtkunstwerk: Opera and Film
11. Der Kaiser von Atlantis oder Die Tod-Verweigerung: Opera as Political Defiance 91
12. “Volk eilt herzu”: Beethoven’s Opera Fidelio in Dresden on October 7 and 8, 1989, and Its Ambivalent Afterlife 115
13. Soundtracks of the Holocaust in East and West German Cinema: Jakob der Lügner (1974) and Hitler, ein Film aus Deutschland (1977) 133
14. Part III. The Uses and Abuses of Music and Politics
15. Political Ideology, Authentic Performance, and the Romantic Metaphysics of Music: The Case of the Pianist Elly Ney 153
16. The Spirits of Utopia and of Disenchantment: Ernst Bloch, Hope, and Music in the Age of Post-Truth 169
17. Notes on the Contributors 187