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Ernest Schonfield
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- List of Abbreviations xi
- Introduction 1
- 1: Managing Appearances in Thomas Mann’s Buddenbrooks, 1901 20
- 2: Oratory and Publicity in Heinrich Mann’s Der Untertan, 1914/18 40
- 3: Organizing Speech in Gabriele Tergit’s Käsebier erobert den Kurfürstendamm, 1931 57
- 4: Seeing through the Rhetoric in Bertolt Brecht’s Dreigroschenroman, 1934 78
- 5: Giving an Account of the Self in Ingeborg Bachmann’s Malina, 1971 98
- 6: Negotiating Bureaucracy in Hermann Kant’s Das Impressum, 1972 120
- 7: Corporate Discourse in Friedrich Christian Delius’s Unsere Siemens-Welt, 1972 133
- 8: Producing Ethos in Kathrin Röggla’s wir schlafen nicht, 2004 153
- 9: Communicative Contests in Philipp Schönthaler’s Das Schiff das singend zieht auf seiner Bahn, 2013 171
- Conclusion 195
- Notes 199
- Bibliography 245
- Index 273
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- List of Abbreviations xi
- Introduction 1
- 1: Managing Appearances in Thomas Mann’s Buddenbrooks, 1901 20
- 2: Oratory and Publicity in Heinrich Mann’s Der Untertan, 1914/18 40
- 3: Organizing Speech in Gabriele Tergit’s Käsebier erobert den Kurfürstendamm, 1931 57
- 4: Seeing through the Rhetoric in Bertolt Brecht’s Dreigroschenroman, 1934 78
- 5: Giving an Account of the Self in Ingeborg Bachmann’s Malina, 1971 98
- 6: Negotiating Bureaucracy in Hermann Kant’s Das Impressum, 1972 120
- 7: Corporate Discourse in Friedrich Christian Delius’s Unsere Siemens-Welt, 1972 133
- 8: Producing Ethos in Kathrin Röggla’s wir schlafen nicht, 2004 153
- 9: Communicative Contests in Philipp Schönthaler’s Das Schiff das singend zieht auf seiner Bahn, 2013 171
- Conclusion 195
- Notes 199
- Bibliography 245
- Index 273
