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Introduction
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Richard Kopley
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1: “Mournful and Never-Ending Remembrance” in Edgar Allan Poe’s The Narrative of Arthur Gordon Pym 13
- 2: Retracing Our Steps in Edgar Allan Poe’s “The Man of the Crowd” 19
- 3: “Scrutinizing the Parchment More Closely”: The Form of “The Gold- Bug” and Its Relationship to That of the Dupin Tales 28
- 4: Form and Reform in Nathaniel Hawthorne’s “Earth’s Holocaust” 35
- 5: The Circle and Its Center in Herman Melville’s “Bartleby, the Scrivener” 41
- 6: Chiasmus in Henry David Thoreau’s Walden 55
- 7: The Mythological Centers of Lewis Carroll’s Alice Books 62
- 8: Table as Text in James Joyce’s “The Dead” 69
- 9: The Structure of Sherwood Anderson’s “Hands” 75
- 10: The Architecture of Ernest Hemingway’s “The Three-Day Blow” 83
- 11: Balance in Dashiell Hammett’s The Maltese Falcon 92
- 12: Framing Caesar in Raymond Chandler’s The Big Sleep 99
- 13: The Ridge of the Domino in Patricia Highsmith’s Strangers on a Train 107
- 14: The “X in the Air” in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” 116
- 15: The Hybrid Center of Zadie Smith’s White Teeth 122
- Notes 131
- Bibliography 157
- Index 177
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1: “Mournful and Never-Ending Remembrance” in Edgar Allan Poe’s The Narrative of Arthur Gordon Pym 13
- 2: Retracing Our Steps in Edgar Allan Poe’s “The Man of the Crowd” 19
- 3: “Scrutinizing the Parchment More Closely”: The Form of “The Gold- Bug” and Its Relationship to That of the Dupin Tales 28
- 4: Form and Reform in Nathaniel Hawthorne’s “Earth’s Holocaust” 35
- 5: The Circle and Its Center in Herman Melville’s “Bartleby, the Scrivener” 41
- 6: Chiasmus in Henry David Thoreau’s Walden 55
- 7: The Mythological Centers of Lewis Carroll’s Alice Books 62
- 8: Table as Text in James Joyce’s “The Dead” 69
- 9: The Structure of Sherwood Anderson’s “Hands” 75
- 10: The Architecture of Ernest Hemingway’s “The Three-Day Blow” 83
- 11: Balance in Dashiell Hammett’s The Maltese Falcon 92
- 12: Framing Caesar in Raymond Chandler’s The Big Sleep 99
- 13: The Ridge of the Domino in Patricia Highsmith’s Strangers on a Train 107
- 14: The “X in the Air” in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” 116
- 15: The Hybrid Center of Zadie Smith’s White Teeth 122
- Notes 131
- Bibliography 157
- Index 177