Home Cultural Studies Chapter Sixteen. Debussy’s G♯/A♭ Complex The Adventures of a Pitch Class from the Suite bergamasque to the Douze études
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Chapter Sixteen. Debussy’s G♯/A♭ Complex The Adventures of a Pitch Class from the Suite bergamasque to the Douze études

  • Boyd Pomeroy
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Debussy's Resonance
This chapter is in the book Debussy's Resonance
© 2018, Boydell and Brewer

© 2018, Boydell and Brewer

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Illustrations ix
  4. Acknowledgments xi
  5. Abbreviations xiii
  6. Introduction: François de Médicis and Steven Huebner 1
  7. Part One. Historiographical and Editorial Issues
  8. Chapter One. Debussy Fifty Years Later Has the Barrel Run Dry? 19
  9. Chapter Two. The OEuvres complètes de Claude Debussy Thirty Years On 38
  10. Chapter Three. The Kunkelmann Manuscripts: New Sources for Early Mélodies by Claude Debussy 57
  11. Chapter Four “Paysage sentimental” “Si doux, si triste, si dormant . . .” 105
  12. Part Two. Style and Genre
  13. Chapter Five. The “Song Triptych” Reflections on a Debussyan Genre 127
  14. Chapter Six. Composing after Wagner: The Music of Bruneau and Debussy, 1890–1902 175
  15. Chapter Seven. Between Massenet and Wagner 225
  16. Chapter Eight. Debussy’s Concept of Orchestration 254
  17. Chapter Nine. Oriental and Iberian Resonances in Early Debussy Songs 272
  18. Part Three. History and Hermeneutics
  19. Chapter Ten. Debussy and Japanese Prints 301
  20. Chapter Eleven “Les sons . . . tournent” Debussy, the Waltz, and Embodied Hermeneutics 326
  21. Chapter Twelve. Secrets and Lies, or the Truth about Pelléas 353
  22. Chapter Thirteen. Vertige! Debussy, Mallarmé, and the Edge of Language 366
  23. Part Four. Theoretical Issues
  24. Chapter Fourteen. Follow the Leader: Debussy’s Contrapuntal Games 395
  25. Chapter Fifteen. Debussy’s Absolute Pitch: Motivic Harmony and Choice of Keys 419
  26. Chapter Sixteen. Debussy’s G♯/A♭ Complex The Adventures of a Pitch Class from the Suite bergamasque to the Douze études 435
  27. Chapter Seventeen. The Games of Jeux: Mark McFarland 476
  28. Part Five. Performance and Reception
  29. Chapter Eighteen. Debussy and Late-Romantic Performing Practices: The Piano Rolls of 1912 513
  30. Chapter Nineteen. Marius-François Gaillard’s Debussy: Controversies and Pianistic Legacy 562
  31. Chapter Twenty. Fashioning Early Debussy in Interwar France 581
  32. Contributors 603
  33. Index 607
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