1. Montpellier 8: Anatomy of …

Chapters in this book

1. Frontmatter i
2. Contents v
3. Figures vii
4. Musical examples ix
5. Tables xi
6. Acknowledgements xii
7. List of manuscript sigla xiii
8. Abbreviations xv
9. Table of fascicle 8 contents xvi
10. Introduction 1
11. I: The Material Object
12. 1. Montpellier 8: Anatomy of … 13
13. 2. A Palaeographical Analysis of the Verbal Text in Montpellier 8: Problems, Implications, Opportunities 32
14. 3. The Style and Iconography of Montpellier folio 350r 66
15. 4. The Decoration of Montpellier 8: Its Place in the Continuum of Parisian Manuscript Illumination 78
16. 5. Double Motet Layouts in the Montpellier Codex and Contemporaneous Libri motetorum 90
17. 6. Deus in adiutorium Revisited: Sources and Contexts 100
18. 7. Thematic Clusters and Compilational Strategies in Montpellier 8 121
19. II: Innovation and Tradition
20. 8. Texture, Rhythm, and Stylistic Groupings in Montpellier 8 Motets 139
21. 9. Je le temoin en mon chant: The Art of Diminution in the Petronian Triplum 161
22. 10. How Rhythmically Innovative is Montpellier 8? 184
23. 11. Re-Presentation in the Ars antiqua: From Chant to Polyphony 197
24. 12. … Que ne dit ‘cief bien seans’: Quoting Motets in Montpellier 211
25. III: Analytical Case Studies
26. 13. Montpellier 8 PORTARE Motets and Tonal Exploration 233
27. 14. Repetitions, Rhythmical Evolution, and Rhetoric in the Montpellier Codex 254
28. 15. Shedding Light on Mo 8,304: Alma virgo virginum/Benedicta es, Maria 269
29. 16. A Performance and Reception History of On parole/A Paris/FRESE NOUVELE 283
30. Bibliography 299
31. Contributors 313
32. General index 315
33. Index of compositions, alphabetical 327
34. Index of compositions in Mo, manuscript order 331