Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Introduction 1
4. Part I. Queer Histories and Archives
5. From Brooklyn to Berlin: Queer Temporality, In/Visibility, and the Politics of Lesbian Archives 21
6. “Die zarte Haut einer schönen Frau”: Fashioning Femininities in Weimar Germany’s Lesbian Periodicals 57
7. Based on a True Story: Tracking What Is Queer about Queer German Documentary 83
8. Part II. Queering the Other
9. The Culture of Faces: Reading Physiognomical Relations in Thomas Mann’s Der Tod in Venedig 111
10. Seeing the Human in the (Queer) Migrant in Jenny Erpenbeck’s Gehen, Ging, Gegangen and Terézia Mora’s Alle Tage 153
11. The Transgressive Representations of Gender and Queerness in Fatih Akin’s Auf der anderen Seite 177
12. Part III. Queering Normativity
13. Bitter Tears and Pretty Excess in Fassbinder’s Die bitteren Tränen der Petra von Kant and Die Sehnsucht der Veronika Voss 199
14. Mothers, Masculinities, and Queer Potentials: Jonathan Franzen’s Rereading of Thomas Brussig and Phillip Roth 217
15. Notes on the Contributors 235