Breaking Rocks

Based on fieldwork in Kinshasa and Paris, Breaking Rocks examines patronage payments within Congolese popular music. This book offers insights into both the ideologies of power and value in central Africa’s troubled post-colonial political economy, and the economic flows that make up the hidden side of the globalization.

Joe Trapido works in the Department of Sociology and Anthropology at the School of Oriental and African Studies. A fan of Congolese music, he is also a follower of Congolese society and politics more generally. His work has been published in the New Left Review and in Africa.

Joe Trapido works in the Department of Sociology and Anthropology at the School of Oriental and African Studies. A fan of Congolese music, he is also a follower of Congolese society and politics more generally. His work has been published in the New Left Review and in Africa.

“While the book’s subject – the economics of Rumba Congolaise – is arguably hyper-specialized, its intellectual scope and ambition are extensive. Trapido’s considerable insights engage a diverse, expansive body of literature that will be germane to readers interested in the Congo Basin, economic anthropology, ethnomusicology, postcolonial theory, and beyond.” • Journal of the Royal Anthropological Institute

“Built upon a stunningly rich ethnography, Breaking Rocks elaborates on the political entanglement of the music industry spanning across the Democratic Republic of Congo and the Congolese diaspora. A witty, fresh account, including stories and case studies rooted in a thorough period of fieldwork, Breaking Rocks is simply a must-read for anyone either professionally or amateurishly inclined to anthropology or musicology.” • Kristien Geenen, Ghent University

“This is a highly impressive, utterly original, often brilliant book on both the empirical and theoretical levels… A wonderful ethnography of music production, performance, spectacle, and deceit.” • Nancy Rose Hunt, University of Michigan

“This is an excellent book, written with great warmth and verve in the narrative… Breaking Rocks will make a significant impact on African Studies.” • Michael Rowlands, University College London